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Vertical Canvas Wall Art

Vertical wall art is the portrait format: taller than it is wide, so it fits the slim panels most rooms are full of, between two windows, beside a door, on a column or up a stairwell, and it lifts the eye towards the ceiling. The range covers tall florals and botanicals, figures, waterfalls and trees, and textured or abstract columns, for homes, hotel corridors, lobbies and restaurants. Every canvas is hand-painted in acrylic to order, at the height and width your wall needs. Below the works, a guide covers where tall art belongs, how to size it to the panel, pairs and series, and ordering.

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Browse the works ↓

1008 works

a large vertical relief painting of layered white and cream plaster ruffles curving down the center of the frame like coral or a breaking wave, set on a deep navy black ground, in sculpted 3d relief

Layered white plaster coral wave on navy canvas wall art

TA#099 20×24" – 60×80"

a large vertical impressionist seascape canvas of a lavender and pink sunset sky over calm sea, a broad yellow light path running down the water onto a mauve pebbled beach, in heavy palette-knife acrylic

Lavender and gold sunset over a pebbled shore canvas wall art

IA#1199 20×24" – 60×80"

a large vertical impressionist painting of a hazy sunrise, pale rays fanning up from a low horizon over a gray-teal lake with a wide gold band of reflected light on the water, in thin glazed acrylic

Hazy golden sunrise over a gray-teal lake canvas wall art

IA#1198 20×24" – 60×80"

a tall vertical impasto painting of two large white blooms stacked at the center with gold-leaf and copper-orange leaves around them, on a smoky charcoal and gray ground, in thick acrylic impasto

White blooms and gold leaves on charcoal canvas art

TA#097 18×36" – 50×100"

a large vertical impasto painting of overlapping monstera and banana leaves in sage, olive gold, deep green and pale pink, rising from the lower right over a cream ground, in thick palette-knife strokes

Sage, olive and cream monstera leaf textured canvas

TA#053 20×24" – 60×80"

a large vertical impressionist canvas of a loose bouquet of pink, peach and cream blooms rising up the right side above dark green leaves, set on a flat warm ochre ground, in thick knife-laid paint

Pink and peach bouquet on an ochre ground canvas wall art

IA#098 20×24" – 60×80"

a large vertical palette-knife painting of golden yellow sunflowers with dark centers gathered at the left of the frame, green leaf strokes fanning out below, all on a soft blue and teal ground in thick impasto acrylic

Golden sunflower heads and teal sky canvas wall art

CA#094 20×24" – 60×80"

a large vertical palette-knife painting of a dense summer bouquet, with magenta and plum blooms at upper left, peach dahlias at center and lavender and cream sprays filling the rest, in thick knife-dabbed paint

Magenta, plum and peach blossom bouquet acrylic painting

CA#096 20×24" – 60×80"

a large vertical impressionist painting of three loose yellow sunflowers with dark green centers, petals broken into knife strokes, on a beige, cream and teal ground with running paint drips

Yellow sunflowers on a beige and teal textured canvas

CA#093 20×24" – 60×80"

a large vertical minimalist painting of overlapping flat greige and cream geometric planes with dark olive wedges in the upper left and lower right corners, in dry matte hand-painted acrylic

Overlapping greige and olive green geometric canvas painting

WA#052 20×24" – 60×80"

a large vertical minimalist painting of stacked cream and ivory loops and rounded vessel shapes filling the center of a deep brown ground, brushed on in flat brushed acrylic

Cream looping forms on dark brown minimalist wall art

WA#051 20×24" – 60×80"

a large vertical abstract painting of interlocking beige and cream plaster shapes raked with fine combed lines, wedged between solid black bands that run from the top edge to the base, in heavy textured paint

Interlocking beige and black plaster canvas painting

WA#050 20×24" – 60×80"

a large vertical abstract painting of broad beige and cream plaster shapes, their surfaces raked into fine horizontal combing, curving and locking against flat black fields, in built-up textured relief

Combed beige curved forms on black textured canvas wall art

WA#049 20×24" – 60×80"

a large vertical abstract painting of tall cream and taupe panels crossed by dark olive-black curved wedges that hook and taper down the middle of the canvas, in flat matte hand-painted color

Olive black wedge forms on cream panels acrylic painting

WA#048 20×24" – 60×80"

a large vertical minimalist painting of crisp cream geometric wedges and curves overlapping at the center of a distressed beige and taupe ground, with a combed band along the base, in dry matte paint

Cream geometric shapes on weathered taupe canvas painting

WA#096 20×24" – 60×80"

a large vertical abstract painting of blocky black maze-like shapes, each edged with a beige outline channel, packed over a cream ground in an interlocking all-over grid, in flat hand-painted acrylic

Black maze shapes outlined in beige on cream canvas painting

AA#1233 20×24" – 60×80"

a large vertical abstract painting of thousands of small dots in yellow, orange, blue, purple and green packed over the canvas, with a pale yellow-green glow rising through the middle, in raised acrylic dots

Yellow, blue and orange raised dot abstract painting

AA#092 20×24" – 60×80"

a large vertical still life painting of orange and yellow sunflowers with green foliage arranged in a glossy blue ceramic vase on a red-orange table, one bloom fallen beside it, in blended acrylic

Orange sunflowers in a blue vase still life canvas art

CA#090 20×24" – 60×80"

a large vertical impressionist painting of a ballerina seen from behind, her brown hair in a bun and her pink and white tutu flaring at the center, against a turquoise and beige ground, in soft acrylic

Ballerina in a pink tutu seen from behind canvas art

CA#1195 20×24" – 60×80"

a large vertical seascape painting of a white and charcoal wave breaking onto orange sand in the lower half, with a blue band of sea, an ochre cloud bank and a small yellow sun above, in thick knife-laid acrylic

Orange sunset over a breaking white wave canvas wall art

CA#087 20×24" – 60×80"

a large vertical impressionist seascape painting of three sailboats moored on a calm dark blue sea, a pale full moon low on the water and white stars scattered over a deep navy sky, in thick palette-knife acrylic

Navy sailboats under a starry moonlit sky canvas wall art

IA#1193 20×24" – 60×80"

a large vertical impressionist painting of the milky way swirling through a deep blue star-filled sky above dark red sandstone buttes along the bottom of the frame, in thick palette-knife acrylic

Starry Milky Way over red rock buttes canvas wall art

IA#1192 20×24" – 60×80"

a large vertical floral painting of one open peony in pink, magenta and white with a bright yellow center, sitting left of center over broad green and navy leaf strokes, in thick brushed acrylic

Single magenta and white peony canvas wall art

CA#084 20×24" – 60×80"

a tall vertical realist painting of branches loaded with orange and yellow persimmons hanging from the upper left over layered gray mountains in mist, with bare twigs and a few dark red leaves, in soft blended acrylic

Persimmon boughs above misty ink gray mountains painting

HA#058 18×36" – 50×100"

a tall vertical realist painting of two peacocks perched on a bare branch, one trailing a long green tail down the center of the frame, with pink blossom trees, a lake and green grass behind, in acrylic

Two peacocks on a branch above pink blossoms canvas art

HA#057 18×36" – 50×100"

a tall vertical wildlife painting of two white peacocks on a mossy bank, the front bird fanning a wide white tail of eyed feathers, with a waterfall and small wildflowers behind in acrylic

Two white peacocks in a forest clearing wall decor

HA#056 18×36" – 50×100"

a large vertical textured painting of a tree with a curving gold-brown trunk and long weeping branches hung with raised golden-yellow petal dabs, on a teal, green and ochre ground with faint grid lines, in 3D relief

Golden blossom tree on a teal and ochre ground acrylic painting

CA#083 18×36" – 50×100"

a tall narrow hand-painted canvas of a blue peacock perched high with its teal eye-feather tail hanging the full height, white and lilac roses at its side and two small butterflies on a cream ground

Blue peacock with white roses and butterflies canvas painting

HA#054 18×36" – 50×100"

a tall vertical realist painting of one pink lotus flower open near the top of the frame on a long green stem, with a seed pod, two buds and broad lily pads under it and orange koi swimming in blue water, in smooth acrylic

Pink lotus above a blue koi pond tall canvas wall art

HA#053 18×36" – 50×100"

a large vertical realistic acrylic painting of a classical bouquet in a gold urn, white and coral roses, a cream tulip, blue delphinium and broad green leaves lit against a deep brown and black background

Dutch style rose and tulip bouquet in an urn acrylic painting

HA#052 20×24" – 60×80"

a tall vertical realist painting of a school of red and white koi swimming over brown river stones in the lower half, with white blossom branches and gold foliage above the rushing stream, in blended acrylic

Red and white koi in a rocky stream acrylic painting

HA#051 18×36" – 50×100"

a large vertical impressionist painting of golden yellow sunflowers with broad green leaves standing in a round white ceramic vase, set against a soft gray and white background, in loose brushed acrylic

Yellow sunflowers in a white vase canvas wall art

CA#1191 20×24" – 60×80"

a large vertical minimalist painting of cream white magnolia blossoms in a round glass vase, drawn with fine etched outlines on a near-black ground, in thin scratched acrylic

Cream magnolia blossoms in a glass vase on black wall decor

WA#095 20×24" – 60×80"

a tall vertical landscape painting of stylized mountains in fine gold contour lines with teal and navy peaks, white clouds, a red sun and a flock of small black birds, over a cream ground with gold drips below

Gold line mountains, red sun and flying birds canvas art

AA#1190 20×24" – 60×80"

a large vertical palette-knife painting of a loose bouquet, with a plum tulip, orange and scarlet poppies and yellow blooms massed at the top over blue and red paint running down a white ground, in thick acrylic

Red, purple and orange bouquet with paint drips canvas art

CA#079 20×24" – 60×80"

a large vertical textured floral painting of white and cream blossoms with apricot flowers and sage green leaves massed up the center on a soft mint ground, petals laid on in heavy knife strokes

Cream and apricot blossoms on sage green canvas wall decor

TA#078 20×24" – 60×80"

a tall vertical figurative painting of a woman seen from behind in a red-orange gown and wide gold hat, a gold bow at her waist, on a black ground laced with fine gold lines and gilded discs, in hand-painted acrylic

Woman in a red gown with a gold hat canvas wall art

CA#1189 18×36" – 50×100"

a large vertical floral painting of one open white lotus with a gold seed head at its center and a small closed bud below left, on a charcoal gray ground streaked with gold leaf and thin drips in thin acrylic

Single white lotus with gold leaf flecks canvas painting

HA#1188 20×24" – 60×80"

a tall vertical abstract painting of a golden ribbon curving up the center with a swarm of glittering gold butterflies rising along it, over a marbled teal, blue and white ground, in smooth acrylic

Gold butterflies on a teal and white marbled acrylic painting

AA#1187 18×36" – 50×100"

a large vertical still life of a wildflower bouquet in a glass vase, with orange, red, yellow and purple blooms scattering outward on a warm golden background, in thick knife-laid acrylic

Orange and purple wildflower bouquet textured canvas art

CA#077 20×24" – 60×80"

a large vertical realistic acrylic painting of a royal blue peacock perched on a branch, its long spotted tail hanging down the left side, framed by white six-petal blossoms on a warm cream background

Blue peacock on a white blossom branch canvas wall decor

HA#048 20×24" – 60×80"

a large vertical painting of nine red, white and gold koi swimming upward through pale green water, with broad lotus pads and one open pink lotus at the lower right, in smooth blended acrylic

Nine red and white koi with a pink lotus canvas wall art

HA#047 20×24" – 60×80"

a large vertical photorealistic seascape painting of a white wave curling and breaking onto a gray pebble beach in the lower third, with turquoise water behind and a blue sky of scattered clouds above, in blended acrylic

Breaking wave on a gray pebble shore coastal wall art

HA#044 20×24" – 60×80"

a tall vertical realist painting of two pink long-tailed birds perched on brown ginkgo branches, one upper left and one at center, ringed by golden fan-shaped leaves drifting down a deep teal ground, in smooth acrylic

Two pink birds on golden ginkgo branches canvas wall art

HA#043 18×36" – 50×100"

a tall vertical acrylic painting of a white peacock and a blue-green peacock perched together on a branch, their long tails falling down the panel among pink cherry blossoms and blue sky

White and blue-green peacocks in pink blossoms canvas art

HA#041 18×36" – 50×100"

a large vertical impasto painting of a bouquet of red, yellow, pink and orange roses massed at the center, their stems dissolving into pale blue and cream drips below, built in thick palette-knife acrylic

Rainbow rose bouquet with pastel drips acrylic painting

CA#075 20×24" – 60×80"

a large vertical impressionist painting of a mixed bouquet with a white daisy at the center, blue cosmos, pink and orange roses and lilac sprigs fanning out above a pale gray ground, in thick knife-laid paint

White daisy and pink rose palette-knife floral wall art

CA#1240 20×24" – 60×80"

a large vertical impressionist canvas of a red poppy field running back to distant green trees, under a bright blue sky of fluffy white clouds, built in heavy impasto ridges

Red poppy field and blue cloud sky textured canvas art

IA#067 20×24" – 60×80"

Vertical wall art guide · Updated

How to choose vertical wall art for a tall or narrow wall

Key takeaways

  • Let the wall choose the shape: if the clear panel is taller than it is wide, a vertical canvas fills it naturally; forcing a wide piece into it leaves awkward gaps.
  • Fill most of the panel, not all of it: a tall canvas looks right at roughly 60–75% of the panel width, with an even margin left on both sides.
  • Two tall pieces make one wide one: a matched pair or a row of three verticals covers a sofa or a bed wall and still keeps the rhythm of the room upright.
  • Tall is redrawn, never cropped: any painting can be composed again for a taller canvas, so the subject fills the height instead of losing its edges.

What does vertical wall art do to a room?

Vertical wall art pulls the eye upward, so it makes a ceiling feel higher and a narrow wall look intended rather than left over.

Most walls in a building are not broad, open expanses. They are strips: the pier between two windows, the panel beside a door frame, the face of a column, the slot between a wardrobe and a corner. A wide painting fights these spaces; a tall one agrees with them. Because the long edge runs from floor to ceiling, the format also echoes the other verticals in the room, such as curtains, door frames, floor lamps and tall plants, which is why a portrait canvas so often looks as if it was always meant to be there.

The format has a mood of its own too. A tall canvas reads as poised and formal, closer to a standing figure than to a view, and it suits rooms that want a little ceremony: an entrance, a lift lobby, the end of a corridor. If the wall is wider than it is tall, look at horizontal canvas art or, for a long run above furniture, panoramic wall art instead.

Which walls and spaces suit tall vertical wall art?

Tall vertical wall art suits any clear panel that is taller than it is wide: between windows or doors, on columns and piers, beside a bed or bookcase, on stair walls and at the end of a corridor.

WhereWhy a vertical canvas worksSizing tip
Between two windowsThe canvas repeats the shape of the windows and turns the pier into a featureKeep at least 10–15 cm (4–6 in) of wall on each side; align the top with the window heads if they are close
Beside a door or archwayFills the strip without crowding the openingMatch the bottom of the canvas to the eye-level line used elsewhere in the room
Columns, piers and pilastersDresses a structural element that is otherwise dead spaceWidth of about two-thirds of the column face; one per column in a run
Beside a bed, desk or bookcaseBalances a tall piece of furniture and leaves the main wall calmLet the top line up with the top of the bookcase or headboard nearby
Stair walls and landingsFollows the climb; one tall canvas on a double-height wall reads from both floorsSee the entryway and stair guide for the stepped line
End of a corridor or lift lobbyGives the walk a destination and suits the proportion of a narrow end wallHang it on the corridor's centre line, so it is seen square-on from far away

A useful check before choosing: stand back and look at the wall with the furniture in place. If what is left between the obstacles is a tall rectangle, the answer is vertical. You can browse vertical art for entrances and hallways or for corridors in the filters above.

What kinds of vertical paintings are there?

The subjects that work best in a tall format are the ones that grow, stand or fall: flowers on long stems, standing figures, trees and waterfalls, and abstract or textured columns of colour.

Tall florals and botanicals

Stems, branches and climbing blossom rise naturally up a portrait canvas, and a vase or a single bloom can sit low with its foliage spreading towards the top. Botanical pieces are the most adaptable tall format: soft enough for a bedroom or a spa, and bright enough for a restaurant pier. All vertical florals.

a tall vertical impasto painting of two large white blooms stacked at the center with gold-leaf and copper-orange leaves around them, on a smoky charcoal and gray ground, in thick acrylic impasto a large vertical impasto painting of overlapping monstera and banana leaves in sage, olive gold, deep green and pale pink, rising from the lower right over a cream ground, in thick palette-knife strokes a large vertical impressionist canvas of a loose bouquet of pink, peach and cream blooms rising up the right side above dark green leaves, set on a flat warm ochre ground, in thick knife-laid paint a large vertical palette-knife painting of golden yellow sunflowers with dark centers gathered at the left of the frame, green leaf strokes fanning out below, all on a soft blue and teal ground in thick impasto acrylic
See all tall florals and botanicals →

Figures and portraits

A standing figure, a dancer or an animal portrait is composed vertically almost by default, because the human eye reads a figure from head to foot. These pieces bring a presence to an entrance or a lounge, as if someone is in the room.

a large vertical impasto painting of a white snow mountain built from thick knife-laid ridges, dotted with tiny skiers in red, blue and black tracing lines down the slope under a blue sky of pink and orange clouds a large vertical impressionist painting of a woman in a white strapless gown holding a violin at her side, her skirt sweeping into purple, brown and yellow knife strokes, on a loose abstract background, in acrylic a large vertical impressionist city painting of a wet street cut between gray and black buildings, a lone figure and cars mid-frame, yellow orange and pink lights reflected on the road, in slab-like knife strokes a large vertical relief painting seen from above of tiny swimmers in bright suits floating between rows of sculpted white foam on pale blue water, the waves built in raised plaster ridges
See all vertical figures and portraits →

Trees, waterfalls and tall views

In a vertical landscape the sky gets more room and the foreground gets more depth: a tall tree, a waterfall, a cliff path, or the sea seen from above with the horizon set high. These open a narrow wall the way a tall window would.

a large vertical relief painting of layered white and cream plaster ruffles curving down the center of the frame like coral or a breaking wave, set on a deep navy black ground, in sculpted 3d relief a large vertical impressionist seascape canvas of a lavender and pink sunset sky over calm sea, a broad yellow light path running down the water onto a mauve pebbled beach, in heavy palette-knife acrylic a tall vertical abstract painting of a curling wave swirl that spirals in from the top right, built in teal, white and mustard gold with a dark blue edge, in heavy palette-knife impasto a large vertical abstract painting of a jagged white edge running down the right side into bands of mid blue, charcoal and black, like surf meeting dark sand, in smooth brushed acrylic
See all vertical landscapes and seascapes →

Textured and abstract columns

Plaster relief, palette-knife ridges and colour fields need no subject to work on a column or a pier; the texture catches light from the side and changes through the day. These are the strongest choice for modern lobbies and offices. Vertical textured art.

a large vertical abstract painting of overlapping faceted gray, white and taupe planes with fine drawn creases, a slim black bar at the top and a solid black wedge in the lower right corner, in smooth matte acrylic a tall narrow relief painting of two silver starbursts radiating from the left and right edges on a black grainy ground, divided by a curving raised silver band that runs from top to bottom a tall vertical abstract painting of thick white plaster sweeps, two deep black patches and thin curved black lines over a soft gray and cream ground, in palette-knife acrylic a tall vertical monochrome painting of overlapping black plaster sweeps laid at angles over the full canvas, their raised knife edges catching light in thin charcoal gray highlights
See all vertical textured and abstract art →

How big should vertical wall art be for a narrow wall?

Measure the clear panel, then make the vertical canvas about 60–75% of its width and roughly one and a half times as tall as it is wide, adjusting the height to the ceiling.

Width comes from the panel

Measure between the obstacles that frame the space, such as window frames, door architraves, switches or the edge of a radiator, not the whole wall. A pier 80 cm (31 in) wide, for example, takes a canvas about 50–60 cm (20–24 in) wide. Too wide and the canvas touches the frames on either side; too narrow and it looks like a sticker.

Height comes from the ratio and the ceiling

Standard portrait canvases run at about 3:4 or 2:3 (height a third to half again the width). A slimmer 1:2 or 1:3 strip suits very narrow piers, columns and double-height walls. Under a ceiling of about 2.4 m (8 ft), a canvas up to about 120 cm (47 in) tall sits comfortably; at 3 m (10 ft) and above, a canvas of 150 cm (59 in) or more holds the wall.

Height on the wall

On an open panel, put the centre of the canvas at about 145–152 cm (57–60 in) from the floor. With a very tall piece that would push the bottom edge too close to the floor, lift it until the lower edge clears skirting, sockets and furniture by a comfortable margin, about 60–90 cm (24–35 in) on a bare wall. Over a console or chest, let the bottom of the canvas sit 15–25 cm (6–10 in) above the top so the two read together.

The standard sizes shown on each work go from about 51 × 61 cm to 153 × 203 cm, but any other proportion can be painted. For walls above 2 m tall, see oversized and custom sizes.

Should vertical wall art hang alone, in a pair or as a series?

Hang one tall canvas on a single narrow panel, a matched pair or trio of verticals across a wide piece of furniture, and a series of verticals where a wall is broken into repeating bays.

One piece

A single vertical belongs on a single slot: the pier, the column, the end wall. Do not crowd it with a second piece; the empty wall around it is part of the effect.

A pair or a trio over furniture

Two portrait canvases side by side become a wide group that suits a sofa, a bed or a sideboard while keeping each image upright. Leave a gap of 5–8 cm (2–3 in) between them, align the tops exactly, and size the whole group, gaps included, to about two-thirds of the furniture. Three verticals in a row suit a longer piece of furniture or a wall with three equal panels. The images should belong together: one composition carried across the canvases, or two views of the same subject in the same palette.

A series down a corridor or across a building

Where doors divide a wall into regular bays, as in a hotel corridor, a gallery or an office run, one tall canvas per bay keeps a steady rhythm. A series works best when it is related but not repeated: the same composition painted in a different colourway on each floor, or a family of subjects in one palette. For larger buildings, the corridor series page explains how a run is planned and approved.

Can any painting be made as a tall vertical canvas?

Yes: any work in the catalogue can be painted as a vertical canvas, because the composition is redrawn for the new proportion rather than cropped or stretched.

Cropping a wide image to fit a tall slot throws away its edges; stretching it distorts everything in it. A painter does neither. When a horizontal landscape becomes a vertical, the sky is given more height, the foreground gains depth, and the main subject, such as a tree, a boat or a figure, is moved to sit where the eye lands on a tall format, usually a little above or below the centre. A floral gains a longer stem or a taller vase; an abstract gains more vertical movement. The colours and the character of the original stay the same.

The same applies to a commission from your own reference, such as a photograph of a view, a building or a garden; see custom paintings. If you have found a piece on the square or horizontal pages that would suit a narrow wall, send its code and the size of the panel.

How is tall vertical wall art made and delivered to fit your wall?

Send the panel size and a photo of the wall; the canvas is redrawn to those proportions, adjusted to your colours, approved stage by stage, and shipped ready to hang or rolled.

Start with the clear measurements of the panel and a photograph taken square-on, ideally with the furniture or the window frames in view. If the palette needs to suit the room, add a paint code, a fabric or a photo of the scheme; the colours are adjusted before painting starts. You see progress photos or video at each stage, and the next stage only begins after you approve, so the proportion and the colour are settled early. A final photograph is approved before dispatch.

Painting takes about 10 days, then a piece arrives 5–7 days later by DHL, FedEx or UPS express; iHomeArt finds the best route for you and confirms the shipping cost before it ships. It can travel rolled, stretched and frameless ready to hang, or framed in gold, silver, black, white or wood. Tall plaster and deep relief work ships stretched or framed, and is rolled only if you agree to a thinner texture. Ask for a quote; every enquiry is answered within one business day.

Vertical wall art FAQs

Does vertical wall art make a ceiling look higher?

Yes, in practice it helps. A vertical canvas leads the eye up the wall, so a room with an ordinary ceiling feels a little taller, especially when the top of the piece sits close to the line of the door or window heads. It works best on its own, with plain wall around it.

Is vertical or horizontal art better for a narrow wall?

Vertical. A narrow wall is a tall rectangle once the furniture and openings are accounted for, and a tall canvas echoes that shape. A horizontal piece squeezed into the same space either runs into the frames on each side or ends up too small to read from across the room.

Can you hang vertical art above a sofa or bed?

Yes, as a pair or a trio. One tall canvas over a long sofa looks narrow, but two or three verticals hung 5–8 cm apart, with tops aligned, make a group about two-thirds of the furniture width. A single tall piece works over a narrow console, chest or bench.

What size tall canvas fits between two windows?

Measure the wall between the window frames and choose a tall canvas about 60–75% of that width, leaving at least 10–15 cm clear on each side. Its height can then follow the windows: line the top up with the window heads, or centre the canvas at eye level.

Is tall wall art a good choice for hotels and restaurants?

Yes. Hotels and restaurants are full of piers, columns and door bays, and a tall canvas is the natural format for each. A run of vertical pieces along a corridor or a dining room gives rhythm, and one composition can be painted in a different colourway for each floor.

Which subjects look best on a vertical canvas?

Subjects that rise or stand: flowers on long stems, branches, trees, waterfalls, standing figures and portraits. Abstract and textured pieces with upward movement work well too. A wide scene such as a beach or a skyline can also be redrawn vertically, with more sky or more foreground.

Can my vertical painting be painted in my own colours?

Yes. Send a paint code, a fabric or a photo of the scheme and the palette of the vertical piece is adjusted before painting begins. You approve the colour on progress photos, and the next stage starts only when you are happy with it.

Are these tall canvases originals or prints?

Originals. Each tall canvas is hand-painted in acrylic for your order, with oil paint available on request, so the brushwork is your own piece. You follow it through progress photos at each stage and approve a final photograph before it ships.

How long does a vertical painting take to arrive?

Roughly 10 days to paint the vertical canvas and 5–7 days in transit by DHL, FedEx or UPS. Delivery is worldwide, rolled, stretched ready to hang, or framed, and the shipping cost is confirmed before dispatch.

Is there a minimum order for vertical wall art?

No. You can order a single vertical painting. For a project, volume pricing starts at 10 pieces, which suits a corridor run or a set of columns, and every enquiry is quoted within one business day. Each piece is sold outright; there is no rental or leasing.

Trade enquiries

Planning a room around vertical formats?

Send the reference codes, the wall sizes and a photo of the room on WhatsApp, or your own picture to be painted. We reply within one business day with a quote and a lead time.

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