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Home Office Wall Art

Original home office wall art, hand-painted in acrylic on canvas and made to order in any size. The range suits a room that has to work twice over: as a quiet place to think and as the backdrop people see on every video call. Choose structured geometric and abstract pieces, restful landscapes, city scenes, or animal and portrait studies with a bit of personality, in palettes from soft neutrals to deep moody tones. Below the works is a guide to placement, the camera, colour, size and ordering.

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232 works

a large vertical minimalist painting of overlapping flat greige and cream geometric planes with dark olive wedges in the upper left and lower right corners, in dry matte hand-painted acrylic

Overlapping greige and olive green geometric canvas painting

WA#052 20×24" – 60×80"

a large vertical abstract painting of interlocking beige and cream plaster shapes raked with fine combed lines, wedged between solid black bands that run from the top edge to the base, in heavy textured paint

Interlocking beige and black plaster canvas painting

WA#050 20×24" – 60×80"

a large vertical abstract painting of broad beige and cream plaster shapes, their surfaces raked into fine horizontal combing, curving and locking against flat black fields, in built-up textured relief

Combed beige curved forms on black textured canvas wall art

WA#049 20×24" – 60×80"

a large vertical minimalist painting of crisp cream geometric wedges and curves overlapping at the center of a distressed beige and taupe ground, with a combed band along the base, in dry matte paint

Cream geometric shapes on weathered taupe canvas painting

WA#096 20×24" – 60×80"

a large vertical impressionist painting of the milky way swirling through a deep blue star-filled sky above dark red sandstone buttes along the bottom of the frame, in thick palette-knife acrylic

Starry Milky Way over red rock buttes canvas wall art

IA#1192 20×24" – 60×80"

a large vertical impressionist painting of a black and white snowy mountain peak filling the frame against a pale teal sky, its ridges and snowfields built from thick palette-knife impasto

Black and white snowy mountain peak canvas painting

IA#050 20×24" – 60×80"

a large horizontal impressionist canvas of a winter mountain with an orange sunburst breaking behind the peak, snow-laden pines at the left and a blue-shadowed snowfield below, in soft hand-painted acrylic

Snowy mountain sunburst and pine forest wall art

IA#1161 24×20" – 80×60"

a large vertical realistic acrylic painting of a chestnut horse standing in three-quarter view, a white blaze on its face and a black halter with gold fittings, against dark green sunlit foliage

Chestnut horse with a white blaze and halter acrylic painting

HA#027 20×24" – 60×80"

a square realist painting of three horse heads in a row wearing decorated leather bridles with silver fittings, a palomino at the left, a black horse at the center and a chestnut at the right, in acrylic

Three horse heads in decorated bridles acrylic painting

HA#022 24×24" – 72×72"

a large vertical abstract painting of overlapping faceted gray, white and taupe planes with fine drawn creases, a slim black bar at the top and a solid black wedge in the lower right corner, in smooth matte acrylic

Overlapping gray and white geometric planes wall art

AA#087 20×24" – 60×80"

a large vertical acrylic painting of a ginger and cream cat in a blue and gold turban with a pearl earring, green eyes turned to the viewer, wearing an ochre robe on a warm brown background

Ginger cat in a blue and gold turban acrylic painting

HA#1156 20×24" – 60×80"

an oversized horizontal maximalist painting of a bird's-eye city made of small red, orange and yellow blocks with blue and white roads and arcs curving through them, built in thick palette-knife acrylic

Red and orange palette-knife bird's-eye city wall art

XA#1150 24×20" – 80×60"

a large square abstract painting of cut paper style shapes in cream, beige, white and gray blue, split by broad black bands, with one bright orange wedge near the center, in smooth flat acrylic

Cream black and gray blue cut shape modern painting

AA#1126 24×24" – 72×72"

a square minimalist relief painting with a centered block of woven, stitched-looking plaster grid in cream and beige, raised threads casting small shadows on a plain cream border, in sculpted 3d texture

Woven plaster grid square in cream and beige wall painting

WA#036 24×24" – 72×72"

a large vertical textured abstract canvas of concentric teal and navy spiral rings raised in relief on a rough white plaster ground, four rings overlapping in the upper and lower halves

Teal and navy concentric ring plaster painting

TA#1215 20×24" – 60×80"

a large vertical white plaster painting of a grid of roughly cut squares, each combed with fine horizontal ridges that run in alternating directions, on an off-white canvas in heavy sculpted relief

Combed white plaster square grid canvas painting

TA#034 20×24" – 60×80"

a large vertical cubist abstract painting of interlocking periwinkle, navy, terracotta brown and cream shapes stacked over the full canvas, with soft edges and a matte hand-painted surface

Periwinkle navy and terracotta cubist canvas wall art

AA#1232 20×24" – 60×80"

a large vertical relief painting of one oversized burgundy leaf set in the upper left corner, its veins carved in raised ridges, casting a soft shadow on a plain cream ground, in sculpted plaster

Single burgundy leaf with carved veins wall decor

TA#1099 20×24" – 60×80"

a large vertical abstract painting of fluid white and pale gray forms edged with thin black lines, a burnt terracotta block at the lower left, deep navy and soft sky blue at the right, in smooth acrylic

Terracotta and navy fluid form abstract acrylic painting

AA#1096 20×24" – 60×80"

a large vertical minimalist abstract painting of stacked lime green, pale blue, navy and off-white blocks with thin scratched pencil lines running between them, in flat hand-painted acrylic

Lime green pale blue and navy block acrylic painting

AA#1094 20×24" – 60×80"

a panoramic impressionist cityscape painting of black and gray skyscrapers with a glowing yellow, orange, and white cluster at center and blue and red accents, mirrored in gray water below, in thick palette-knife acrylic

Gray city skyline with orange reflections, impasto wall art

IA#1088 36×18" – 100×50"

a large square abstract painting of fine ridged lines radiating from the center in cobalt and turquoise blue, flecked with gold and white and deepening to purple at the corners, in combed impasto

Blue and gold sunburst ridge abstract textured painting

TA#1078 24×24" – 72×72"

a square impressionist still life painting of a loose bouquet of pink, lilac, yellow and red blooms in a deep teal goblet vase, set on a pale gray table with fallen petals, in soft knife-worked acrylic

Pastel bouquet in a teal vase square canvas art

CA#1075 24×24" – 72×72"

a large vertical plaster relief painting of a grid of stippled white squares at the left and lower edges, with warm gray combed swirls rising through the right half in thick sculpted texture

Combed swirls over a gray tile grid textured canvas

TA#1212 20×24" – 60×80"

a large vertical mixed-media relief painting with a black wavy grid at the top left, a thick white plaster block down the center, a burnt rust column on the right and a mottled pale gray field below, in sculpted texture

Black wavy grid and rust stripe plaster relief painting

AA#086 20×24" – 60×80"

a large vertical plaster relief painting in a single sage green, its surface divided into flat panels by curved and straight raised edges that catch light along each ridge, with a chalky matte finish

Sage green curved geometric relief canvas painting

TA#038 20×24" – 60×80"

a large vertical textured painting divided down the middle, a rough gold field on the left and deep navy on the right covered with fine raised white contour lines that ripple like sand ridges, in relief

Navy and gold raised contour line canvas wall decor

TA#1060 20×24" – 60×80"

a large vertical impressionist canvas painting of two open blue-gray blooms with dark centers, one filling the top half and a smaller one below on a long curved stem, against a washed white ground, in soft brushwork

Two blue-gray poppies on tall stems minimalist wall art

IA#1056 20×24" – 60×80"

a large vertical abstract painting of a warm amber orange field cut by sweeping blue, black and white knife strokes that gather at the lower center and upper right, in thick impasto acrylic

Amber orange and steel blue knife stroke abstract wall art

AA#1050 20×24" – 60×80"

a large vertical impressionist painting of a dense city skyline in cream, black and white knife strokes that run downward like rain, with bare white trees and a wet street at the base, in thick paint

Monochrome skyline and winter trees textured canvas art

IA#1021 20×24" – 60×80"

a large vertical minimalist abstract painting of two weathered pale olive green columns, one wide at the left edge and one narrow near center, on a near-black field with a faint sheen, hand-painted in flat layers

Two weathered olive green columns on near-black canvas

AA#1018 20×24" – 60×80"

a large vertical abstract painting with a soft sage green block at the center, black smudges and small rust dots around it, and thin looping ink lines circling over a mottled cream and beige ground, in dry washed paint

Sage green patch and looping black ink canvas wall art

WA#1017 20×24" – 60×80"

a large vertical impressionist mountain painting of a snow-covered peak built from white blue gray and ochre knife strokes, a small flock of black birds in the pale sky at upper left, in heavy impasto

Snowy peak with a flock of birds in pale sky wall art

IA#1004 20×24" – 60×80"

a large square impressionist wall art of a horse head turned toward the viewer, its black mane flying left in broad knife strokes over gray, cream and blue planes with small orange flecks, in heavy impasto

Charcoal black and orange-flecked horse head acrylic painting

IA#981 24×24" – 72×72"

a large vertical impressionist city painting of a wet street cut between gray and black buildings, a lone figure and cars mid-frame, yellow orange and pink lights reflected on the road, in slab-like knife strokes

Lone figure on a rain-slicked city street textured wall art

IA#942 20×24" – 60×80"

a large vertical impressionist painting of turquoise saguaro cacti standing above magenta and gold desert shrubs, with a pale sand path leading to pink mountains under a yellow sky, in thick knife-laid acrylic

Blue saguaro cacti and pink mountains acrylic painting

CA#936 20×24" – 60×80"

a large vertical abstract painting of flat color fields in dark teal, white, ochre and pale blue, divided by thin drawn lines that loop through the upper center, in matte brushed acrylic

Dark teal, white and ochre color field wall painting

AA#909 20×24" – 60×80"

a large square painterly floral of pink, white and purple blooms among emerald and jade leaves on a soft pink ground, painted in broad flat palette-knife strokes

Pink and emerald mixed bloom bouquet square wall painting

CA#902 24×24" – 72×72"

a large square minimalist botanical canvas of pale lilac, cream, and gray palm fronds fanning from a gold-ochre stem, with black palm leaf silhouettes at the right, on a soft beige and blush ground, in smooth flat paint

Lilac palm fronds and black leaf silhouettes on beige wall art

MA#900 24×24" – 72×72"

a large square abstract painting with a hot orange mass burning over the upper half of a cream ground, long black and charcoal strokes sweeping under it and pale gray scraped fields below, in palette-knife acrylic

Burnt orange and charcoal gray abstract canvas wall art

AA#896 24×24" – 72×72"

a large vertical abstract painting of faceted beige, taupe and white planes folding like cut stone, traced with fine seam lines, a solid black wedge in the top left corner, in matte hand-painted acrylic

Taupe and white faceted planes contemporary canvas painting

AA#878 20×24" – 60×80"

a large vertical figurative painting of a woman's profile in navy and teal, her hair curling into white, turquoise and magenta spirals on the left while a burning orange and gold field fills the right, in thick acrylic

Woman in profile with swirling blue hair textured painting

CA#876 20×24" – 60×80"

a large vertical impressionist mountain painting of a white snow-capped peak in cloud at the top, deep green valley walls on both sides and a river with a small waterfall below, in smooth brushed acrylic

Snow peak above a green valley and river wall art

IA#857 20×24" – 60×80"

a large square floral painting of six red magenta and orange poppies on thin dark stems standing high on a white ground, with teal and blue splatter and paint drips running beneath them, in loose wet acrylic

Red and magenta poppies with blue drips square wall art

CA#847 24×24" – 72×72"

a large square atmospheric painting of a coral pink cloud spread along the top third of the panel above a deep blue-violet field and a faint dark horizon line, in smooth thinly blended acrylic with no visible texture

Coral pink cloud over a blue-violet horizon acrylic painting

IA#845 24×24" – 72×72"

a large vertical impressionist painting of the Brooklyn Bridge on the left with the Manhattan skyline behind it in teal, orange and cream, the towers and traffic mirrored in the water below, in acrylic

Brooklyn Bridge and Manhattan skyline canvas wall art

IA#825 20×24" – 60×80"

a large vertical relief painting of four diagonal bands, combed cream ridges at the top, a gritty black seam, a smooth rust brown river and a crust of rough white plaster in the lower half

Black, rust and white diagonal relief canvas wall art

TA#822 20×24" – 60×80"

a large vertical floral painting of two white peonies with gold-lined petals and gold centers on a curving stem, set over teal ink washes and gold spatter on a bare white ground in acrylic

White peonies over teal ink splashes canvas wall decor

HA#814 20×24" – 60×80"

Home office art guide · Updated

How to choose wall art for a home office

Key takeaways

  • Two walls, two jobs: the wall you face is for resting your eyes between tasks; the wall behind you is what colleagues and clients see on camera.
  • Check the webcam crop first: open the camera preview and mark the visible area with tape, then choose a painting that sits beside your head, not above it.
  • Calm on the facing wall, contrast behind: muted blues, greens and neutrals are easy to look at all day; one clear shape behind you reads well on a small video tile.
  • Size to the desk: about two-thirds of the desk's width, with the lower edge 20–30 cm (8–12 in) above the desktop or monitor.

What wall art suits a home office?

Home office wall art should suit the work done there: calm, uncluttered pieces for concentration, livelier ones for creative work, and something clear and composed on any wall the camera sees.

A home office is unusual among rooms because it has two audiences. You look at one wall for hours, often in short breaks from a screen. Other people look at a different wall, through a webcam, a few centimetres high on their own screens. Each wall deserves its own decision.

WallWho sees itWhat to choose
Facing the deskYou, for hours, between tasksA restful landscape or soft abstract with depth to rest your eyes on
Behind your chairColleagues and clients on videoOne composed piece with a clear shape and mid-tone contrast
Beside the deskYou, when you turn or standA smaller, more personal piece: an animal study, a city you love
Above a sofa or reading chairYou and visitors, in a dual-use roomSomething gentler that also suits a guest room or snug

If the desk faces a blank wall with a monitor in front of it, the space above the screen is mostly hidden; a side wall in your natural line of sight when you look away is often the better place for the painting you will live with.

What home office art looks good on video calls?

On video calls, home office art looks best when it is a single, clearly composed painting placed beside your head, with colours that contrast gently with your hair and clothes and no fine patterns.

Start from the camera, not the wall

Sit where you normally sit, open the camera preview and mark the corners of the visible wall with low-tack tape. Laptop height and screen tilt change that area more than people expect. Most webcams frame a wide 16:9 rectangle, so a tall canvas hung behind you will often appear cropped; that is fine if the visible part still reads as a composition.

Place it off-centre

A painting directly behind your head appears to grow out of it. Set it behind one shoulder, so it fills the empty side of the frame, and let its lower edge sit around shoulder height when you are seated.

Choose what survives compression

Video calls shrink you to a small tile and compress the image. Bold shapes, colour blocks and soft gradients hold up; tight stripes, fine grids and dense dots can shimmer or smear. Mid-tone backgrounds, neither stark white nor black, keep the camera's exposure on your face.

Light it from the front

A canvas has no glass to mirror a window, but a lamp or ring light behind the camera can still catch glossy passages of paint. Light the room from in front of you and slightly to the side, and keep bright windows out of the frame. Abstracts and geometric home office art are the safest camera choices.

Which colours of home office art help you focus?

For focused work, most people find muted blues, greens, greys and earth tones the easiest home office art to look at all day; warmer, brighter colours suit creative work and short bursts of energy.

There is no formula that makes one colour productive, and people differ. What is reliable is contrast and busyness: a canvas full of competing colours and sharp edges pulls at the eye, while a quiet palette lets it rest. Think about what you do for most of the day, then match the room to that.

Kind of workPalette that suits itBrowse
Writing, analysis, long callsSoft blue, sage, grey, sand; low contrastCalming, grey, blue
Design, making, brainstormingOchre, orange, coral, one bright accentOrange, yellow
Client-facing, consultingNavy, charcoal, black and white with one warm noteBlack, bold
Evening work in a dark-painted studyDeep teal, forest green, rust, gold leafMoody, green

A useful split is to keep the facing wall in the calmer column and let the wall behind you carry a little more contrast, which helps you stand out on camera. For more on palettes, see blue wall art and green wall art.

What kinds of home office art are there?

Home office art falls into four kinds here: geometric and abstract compositions, landscapes, city scenes, and animal or portrait studies.

Geometric and abstract

Colour blocks, concentric arcs, cubist planes, plaster ridges, ink loops on a pale ground. Structured and composed, they look deliberate behind a desk and come through cleanly on camera. Minimalist pieces in black, white and one colour suit a sparse, modern study. More abstract art.

a large vertical abstract painting of overlapping faceted gray, white and taupe planes with fine drawn creases, a slim black bar at the top and a solid black wedge in the lower right corner, in smooth matte acrylic a large vertical white plaster painting of a grid of roughly cut squares, each combed with fine horizontal ridges that run in alternating directions, on an off-white canvas in heavy sculpted relief a large vertical cubist abstract painting of interlocking periwinkle, navy, terracotta brown and cream shapes stacked over the full canvas, with soft edges and a matte hand-painted surface a large vertical minimalist abstract painting of stacked lime green, pale blue, navy and off-white blocks with thin scratched pencil lines running between them, in flat hand-painted acrylic
See all geometric and abstract office art →

Landscapes and skies

Snowy peaks, still lakes, a Milky Way over red rock, a woodland clearing. A long view on the facing wall gives your eyes somewhere distant to go when you look up from the screen, which a small room with one window rarely offers. Landscapes for a home office.

a large vertical impressionist painting of a dense city skyline in cream, black and white knife strokes that run downward like rain, with bare white trees and a wet street at the base, in thick paint a large vertical impressionist mountain painting of a snow-covered peak built from white blue gray and ochre knife strokes, a small flock of black birds in the pale sky at upper left, in heavy impasto a large vertical impressionist painting of turquoise saguaro cacti standing above magenta and gold desert shrubs, with a pale sand path leading to pink mountains under a yellow sky, in thick knife-laid acrylic a large vertical impressionist mountain painting of a white snow-capped peak in cloud at the top, deep green valley walls on both sides and a river with a small waterfall below, in smooth brushed acrylic
See all landscapes for the facing wall →

City scenes

Rain-slicked New York streets at night, skylines with orange reflections, gothic interiors. Urban paintings bring a sense of pace and suit a study with leather, dark wood and books. More cityscapes.

a panoramic impressionist cityscape painting of black and gray skyscrapers with a glowing yellow, orange, and white cluster at center and blue and red accents, mirrored in gray water below, in thick palette-knife acrylic a large vertical impressionist city painting of a wet street cut between gray and black buildings, a lone figure and cars mid-frame, yellow orange and pink lights reflected on the road, in slab-like knife strokes a large vertical impressionist painting of the Brooklyn Bridge on the left with the Manhattan skyline behind it in teal, orange and cream, the towers and traffic mirrored in the water below, in acrylic a large vertical illustrative painting of a pink stucco house facade with pale blue shutters, an iron balcony and a tall blue door, a palm casting shade at the right and a small figure stepping in, in flat matte paint
See all city scenes for a study →

Animals and portraits

A chestnut horse, a leopard against black, a faceted portrait in a headscarf. A single character piece makes an office feel like yours rather than a meeting room, and gives a video call a talking point. Animal and portrait art.

a square realist painting of three horse heads in a row wearing decorated leather bridles with silver fittings, a palomino at the left, a black horse at the center and a chestnut at the right, in acrylic a large square impressionist wall art of a horse head turned toward the viewer, its black mane flying left in broad knife strokes over gray, cream and blue planes with small orange flecks, in heavy impasto a large vertical figurative painting of a woman's profile in navy and teal, her hair curling into white, turquoise and magenta spirals on the left while a burning orange and gold field fills the right, in thick acrylic a large vertical cartoon painting of a small round figure in a blue turban and olive dress standing in a bare gray gallery, seen from behind as it looks up at its own framed portrait on the wall
See all animal and portrait studies →

What size should home office art be, and where should it hang?

Above a desk, choose home office art about two-thirds of the desk's width; on a camera wall, size it so it fills one side of the frame without being cut off at the top.

Above the desk

For a 140 cm (55 in) desk, a canvas 80–95 cm wide balances it. Hang it 20–30 cm (8–12 in) above the desktop, or above the top of a monitor if one stands against the wall. Remember that you will see it from a seated position, so a centre slightly lower than the usual standing eye level of 145–152 cm (57–60 in) often looks right.

Behind your chair

Work out the visible area with the tape test, then aim for a canvas that takes up roughly a third to a half of that rectangle. In a small spare room this is often a square or vertical piece of 50–80 cm; in a larger study with the desk well forward of the wall, a horizontal canvas of 100 cm or more reads well because distance shrinks it on screen.

In a small home office

One well-sized painting beats several small frames in a box room, which quickly feels cluttered. If you have shelves behind you, hang the canvas beside them rather than above, so books and art do not compete.

Should a home office have one painting or a group?

A small home office usually works best with one painting or a matched pair; a larger study can take a group, provided the camera wall stays simple.

Behind your chair, a single canvas or two identical-sized pieces side by side look calm and professional on screen. A gallery wall there tends to read as clutter on a video tile, however good each piece is. Groups belong on the walls you see but the camera does not: a side wall, the space above a reading chair, or the wall opposite the desk.

If the office doubles as a guest room, choose art that suits both uses, gentle enough for sleep and composed enough for work; see bedroom wall art. If it is where you meet clients in person, the same logic as a professional office applies: one confident piece, in a palette that fits your brand. Firms furnishing studies, partner offices or a whole floor can browse workspace and office art and art for corporate and professional offices.

How do you order home office art made to your size?

Send the width of the desk or the camera area you marked, a photo of the room, and any colours to match, and the painting is drawn to those proportions before it is painted.

Each home office canvas is painted to order, so the size can follow your webcam frame or the gap between shelves, and the composition is redrawn to suit it rather than stretched. The palette can be moved towards a paint code, a rug or your company colours. As it is painted, you receive photos or video of each stage, and work continues only once you approve; you also approve a photograph of the finished piece before it is sent.

Choose a rolled canvas, a stretched canvas ready to hang, or a frame in gold, silver, black, white or wood; a slim black or wood frame gives a crisp edge on camera. Painting takes about 10 days and delivery 5–7 days, worldwide, by DHL, FedEx or UPS express, and you know the shipping cost before the piece is sent. Request a quote or read about custom commissions.

Home office wall art FAQs

What is the best art to have behind you on Zoom?

The best art behind you on Zoom or Teams is one composed painting with clear shapes and medium contrast, hung beside your head rather than directly behind it. Abstracts, colour blocks and simple landscapes work well; fine stripes and busy patterns can shimmer once the call compresses the picture.

Should art go behind the desk or in front of it?

Ideally both, for different reasons. Art in front of the desk is the view you live with, so make it restful. Art behind the desk is your video backdrop, so make it composed. If you can only afford one office painting, put it where you will see it most.

Is abstract art good for a home office?

Yes. Abstract art suits a home office because it adds colour and structure without a story that pulls your attention. Calm colour fields and soft geometric pieces suit concentration; bolder abstracts suit a creative studio. Abstracts also come across cleanly on video calls, even when partly cropped.

How do I stop glare on office art during video calls?

Move the light, not the art. Glare appears when a window or lamp sits behind the camera at the same angle as the painting. Light your face from the front and side, keep windows out of the frame, and check the camera preview; an office canvas without glass reflects far less than framed glazing.

What art makes a home office look professional?

One well-sized painting, neatly framed or on a clean stretched canvas, makes a home office look most professional. Choose a restrained palette such as navy, charcoal, sand or sage, and keep the camera wall free of clutter so the art reads as intentional rather than leftover decoration.

What art suits a small home office?

In a small home office, one medium painting in a light or mid-tone palette works best, hung on the wall you face or behind your chair. A landscape with a far horizon adds a sense of depth, which a box room or converted bedroom badly needs.

Can home office art be painted in my company colours?

Yes. Any office painting can be repainted in another colourway: send your brand colours as paint codes or swatches, and the palette is adjusted before painting begins. You approve the colour on progress photos, so it can be corrected before the next stage starts.

Are these office paintings prints or originals?

Originals. Each office painting is hand-painted in acrylic on canvas for your order, with oil paint available on request, so its brushwork and texture are unique. It arrives rolled, stretched ready to hang, or framed in gold, silver, black, white or wood.

How long does home office art take to deliver?

Roughly 10 days to paint, then home office art spends 5–7 days in transit to your door. It ships worldwide by DHL, FedEx or UPS express, and iHomeArt arranges the carrier and route for you.

Can I order office art for a whole team or several home offices?

Yes. Companies can order a single office painting or many, with volume pricing from 10 pieces and a quote within one business day. A related series, one composition in varied colourways, gives remote staff or several offices a shared look without identical walls.

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Planning a room around home office art?

Send the reference codes, the wall sizes and a photo of the room on WhatsApp, or your own picture to be painted. We reply within one business day with a quote and a lead time.

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