Original hand-painted art · Shipped worldwide WhatsApp +852 5600 7448 support@ihomeart.com
iHomeArt trade
Request a quote

Specified for · commercial space

Office Wall Art

Original office wall art, hand-painted in acrylic on canvas and made to order in any size. The works on this page are for working floors: geometric and colour-field abstracts, plaster-textured and minimalist pieces in greige, charcoal and sage, impressionist city skylines and landscapes, and bright colourful canvases for kitchens and breakout spaces. They suit open-plan offices, co-working spaces, studios and agency floors, and the corridors that link them. Below the works, a guide covers art for each zone of an office, scale on long walls, colour by floor, and how a fit-out is supplied.

Quote form Email us
Browse the works ↓

222 works

a large vertical minimalist painting of overlapping flat greige and cream geometric planes with dark olive wedges in the upper left and lower right corners, in dry matte hand-painted acrylic

Overlapping greige and olive green geometric canvas painting

WA#052 20×24" – 60×80"

a large vertical abstract painting of interlocking beige and cream plaster shapes raked with fine combed lines, wedged between solid black bands that run from the top edge to the base, in heavy textured paint

Interlocking beige and black plaster canvas painting

WA#050 20×24" – 60×80"

a large vertical minimalist painting of crisp cream geometric wedges and curves overlapping at the center of a distressed beige and taupe ground, with a combed band along the base, in dry matte paint

Cream geometric shapes on weathered taupe canvas painting

WA#096 20×24" – 60×80"

a large vertical abstract painting of blocky black maze-like shapes, each edged with a beige outline channel, packed over a cream ground in an interlocking all-over grid, in flat hand-painted acrylic

Black maze shapes outlined in beige on cream canvas painting

AA#1233 20×24" – 60×80"

a large vertical abstract painting of thousands of small dots in yellow, orange, blue, purple and green packed over the canvas, with a pale yellow-green glow rising through the middle, in raised acrylic dots

Yellow, blue and orange raised dot abstract painting

AA#092 20×24" – 60×80"

an oversized horizontal abstract painting of hundreds of short palette-knife dabs in pink, yellow, white, teal and orange, packed into a dense field that pales toward the top, in thick raised paint

Pink, yellow and teal dab field abstract canvas wall art

AA#081 36×18" – 100×50"

a large square palette-knife painting of flowering cacti standing upright at the center, green paddles topped with cream, red and yellow blooms above a mosaic of pink, blue and purple desert rocks, in ridged impasto

Blooming cacti and desert rocks textured canvas art

CA#080 24×24" – 72×72"

a large vertical impressionist painting of a black and white snowy mountain peak filling the frame against a pale teal sky, its ridges and snowfields built from thick palette-knife impasto

Black and white snowy mountain peak canvas painting

IA#050 20×24" – 60×80"

a wide horizontal abstract painting of amber and gold ribbon-like strands curling through the center of a white ground, dissolving into turquoise on the right and warm orange on the left, in sculpted knife relief

Amber and turquoise flowing ribbons textured wall art

AA#044 36×18" – 100×50"

a large vertical abstract painting of overlapping faceted gray, white and taupe planes with fine drawn creases, a slim black bar at the top and a solid black wedge in the lower right corner, in smooth matte acrylic

Overlapping gray and white geometric planes wall art

AA#087 20×24" – 60×80"

a large panoramic impressionist canvas of a dense crowd under dark umbrellas filling the lower half, walking beneath red, blue and orange neon signs, with wet reflections below, in thick palette-knife acrylic

Umbrella crowd on a rainy neon street wide canvas decor

IA#1153 36×18" – 100×50"

an oversized horizontal maximalist painting of a bird's-eye city made of small red, orange and yellow blocks with blue and white roads and arcs curving through them, built in thick palette-knife acrylic

Red and orange palette-knife bird's-eye city wall art

XA#1150 24×20" – 80×60"

a tall narrow palette-knife painting of a blue and teal city skyline with a pale spired tower at the center, its cream and gold reflection filling the lower third, in thick ridged acrylic

Blue and cream New York skyline canvas wall art

IA#1143 18×36" – 50×100"

a large square abstract painting of cut paper style shapes in cream, beige, white and gray blue, split by broad black bands, with one bright orange wedge near the center, in smooth flat acrylic

Cream black and gray blue cut shape modern painting

AA#1126 24×24" – 72×72"

a large vertical textured abstract canvas of concentric teal and navy spiral rings raised in relief on a rough white plaster ground, four rings overlapping in the upper and lower halves

Teal and navy concentric ring plaster painting

TA#1215 20×24" – 60×80"

a large vertical white plaster painting of a grid of roughly cut squares, each combed with fine horizontal ridges that run in alternating directions, on an off-white canvas in heavy sculpted relief

Combed white plaster square grid canvas painting

TA#034 20×24" – 60×80"

a large vertical abstract painting of broad terracotta and white shapes with a slate gray block on the left, a short black bar at the top and one thin black line hanging down the center, in matte acrylic

Terracotta, gray and white cut-shape abstract canvas painting

AA#1111 20×24" – 60×80"

a large vertical palette-knife painting of a long-haired cat's face looking straight out, built from thick red, turquoise, purple and white strokes with amber eyes and a coral nose, on a yellow ground

Rainbow palette-knife cat face canvas painting

CA#1107 20×24" – 60×80"

a large vertical textured painting of diagonal sculpted plaster bands in white, warm taupe and black stepping down the canvas like a shoreline, combed with fine ridges in raised relief

Diagonal white and taupe plaster relief canvas wall decor

TA#037 20×24" – 60×80"

a large vertical impressionist painting of tall slim purple-brown trunks rising through gold and white foliage, with a forest floor of teal, pink and yellow dabs and long blue shadows, in dabbed acrylic

Tall trunks in a dappled teal and gold forest wall art

IA#1098 20×24" – 60×80"

a large vertical abstract painting of translucent color blocks stacked over the canvas in cobalt blue, magenta, hot pink, yellow and orange against pale gray, in thin washed acrylic with soft edges

Cobalt, magenta and yellow color block canvas wall art

AA#1095 20×24" – 60×80"

a large vertical minimalist abstract painting of stacked lime green, pale blue, navy and off-white blocks with thin scratched pencil lines running between them, in flat hand-painted acrylic

Lime green pale blue and navy block acrylic painting

AA#1094 20×24" – 60×80"

a panoramic impressionist cityscape painting of black and gray skyscrapers with a glowing yellow, orange, and white cluster at center and blue and red accents, mirrored in gray water below, in thick palette-knife acrylic

Gray city skyline with orange reflections, impasto wall art

IA#1088 36×18" – 100×50"

a panoramic impressionist cityscape canvas of a row of skyscrapers in orange, blue, brown, and yellow under a pale cream and blue sky, their colors streaked into the water below, in thick palette-knife acrylic

Orange and blue skyscrapers with water reflections on canvas

IA#1085 36×18" – 100×50"

a large square abstract painting of flat organic shapes, a dark teal cap and rust ribbon at left, a blue rectangle below, an orange block above a deep green slab at right, on blush and cream grounds in matte acrylic

Rust, dark green and navy abstract shapes acrylic painting

AA#1079 24×24" – 72×72"

a large square abstract painting of fine ridged lines radiating from the center in cobalt and turquoise blue, flecked with gold and white and deepening to purple at the corners, in combed impasto

Blue and gold sunburst ridge abstract textured painting

TA#1078 24×24" – 72×72"

a square impressionist canvas painting of a loose gray and white city skyline, its mid-section lit with orange and gold windows that streak down in long reflections on the dark water below, hand-painted in acrylic

Glowing orange city lights on gray water wall decor

IA#1076 24×24" – 72×72"

a large vertical plaster relief painting of a grid of stippled white squares at the left and lower edges, with warm gray combed swirls rising through the right half in thick sculpted texture

Combed swirls over a gray tile grid textured canvas

TA#1212 20×24" – 60×80"

a large vertical mixed-media relief painting with a black wavy grid at the top left, a thick white plaster block down the center, a burnt rust column on the right and a mottled pale gray field below, in sculpted texture

Black wavy grid and rust stripe plaster relief painting

AA#086 20×24" – 60×80"

a large vertical plaster relief painting in a single sage green, its surface divided into flat panels by curved and straight raised edges that catch light along each ridge, with a chalky matte finish

Sage green curved geometric relief canvas painting

TA#038 20×24" – 60×80"

a large vertical abstract painting of ribbed geometric panels in beige, black, gray and navy that fold inward to a receding tunnel, built in sculpted relief with combed ridges catching the light

Beige navy and gray ribbed geometric canvas wall art

AA#1053 20×24" – 60×80"

a large vertical abstract painting of a warm amber orange field cut by sweeping blue, black and white knife strokes that gather at the lower center and upper right, in thick impasto acrylic

Amber orange and steel blue knife stroke abstract wall art

AA#1050 20×24" – 60×80"

a large vertical impressionist painting of a New York street with the Chrysler Building spire at center, flanked by blocky gray, peach and black knife-cut facades above yellow taxis, in thick paint

Gray and peach Chrysler Building street scene canvas art

IA#1024 20×24" – 60×80"

a large vertical impressionist painting of a dense city skyline in cream, black and white knife strokes that run downward like rain, with bare white trees and a wet street at the base, in thick paint

Monochrome skyline and winter trees textured canvas art

IA#1021 20×24" – 60×80"

a large vertical maximalist painting of thick red, yellow, green and blue paint blocks with scribbled white zigzags, black stars and spiral doodles scratched into them, in heavy palette-knife impasto

Thick yellow and green scribbled block canvas wall art

XA#1019 20×24" – 60×80"

a large vertical abstract painting with a soft sage green block at the center, black smudges and small rust dots around it, and thin looping ink lines circling over a mottled cream and beige ground, in dry washed paint

Sage green patch and looping black ink canvas wall art

WA#1017 20×24" – 60×80"

a large vertical abstract painting of thickly troweled cream, white and tan blocks crossed by broad black knife strokes near the center, the paint standing in visible ridges, in heavy palette-knife impasto

Cream tan and black palette knife abstract canvas art

AA#1014 20×24" – 60×80"

a large vertical abstract painting worked all over in ultramarine, cobalt and sky blue palette-knife strokes, with flashes of white and a few black marks near the lower left, in thick ridged paint

Ultramarine and sky blue textured abstract wall art

AA#1012 20×24" – 60×80"

a large vertical impressionist mountain painting of a snow-covered peak built from white blue gray and ochre knife strokes, a small flock of black birds in the pale sky at upper left, in heavy impasto

Snowy peak with a flock of birds in pale sky wall art

IA#1004 20×24" – 60×80"

a large square impressionist painting of a meadow of red poppies, white daisies and blue cornflowers in the foreground, a blue alpine lake and snowy peaks behind, in thick palette-knife impasto

Red poppies and daisies before an alpine lake acrylic painting

IA#999 24×24" – 72×72"

a large square impressionist wall art of a horse head turned toward the viewer, its black mane flying left in broad knife strokes over gray, cream and blue planes with small orange flecks, in heavy impasto

Charcoal black and orange-flecked horse head acrylic painting

IA#981 24×24" – 72×72"

a large vertical abstract painting made of hundreds of thick round paint dots in red, blue, green, yellow and white, packed tightly over the whole panel with a pale diagonal band through the middle, in heavy impasto

Multicolor knife-dot mosaic textured canvas art

CA#975 20×24" – 60×80"

a large vertical textured painting of hundreds of rounded petals in orange, coral, pink and white massed at the upper right, cooling to teal and steel blue at the base, in heavy sculpted impasto

Coral orange and blue knife petal acrylic painting

CA#965 20×24" – 60×80"

a large vertical abstract painting of flowing orange, coral and peach fields meeting a band of sky blue and cobalt down the left side, with thin red flame lines, in blended brushed acrylic

Coral peach and cobalt blue color field canvas painting

AA#957 20×24" – 60×80"

a large vertical painting of a zebra head in profile facing left, its mane sweeping right in wide orange, yellow, navy and olive stripes, the face black and white with red flecks on a pale gray ground, in brushed acrylic

Zebra profile with an orange and navy mane canvas wall art

CA#954 20×24" – 60×80"

a large vertical impressionist city painting of a wet street cut between gray and black buildings, a lone figure and cars mid-frame, yellow orange and pink lights reflected on the road, in slab-like knife strokes

Lone figure on a rain-slicked city street textured wall art

IA#942 20×24" – 60×80"

a large vertical palette-knife painting of petals radiating from a red and orange center, turning yellow and green at the sides and pale blue and white at the edges, each petal a thick separate dab of paint

Radiating rainbow petals textured acrylic painting

CA#938 20×24" – 60×80"

a large vertical impressionist painting of turquoise saguaro cacti standing above magenta and gold desert shrubs, with a pale sand path leading to pink mountains under a yellow sky, in thick knife-laid acrylic

Blue saguaro cacti and pink mountains acrylic painting

CA#936 20×24" – 60×80"

Office art guide · Updated

How to choose wall art for an office floor

Key takeaways

  • Match energy to the zone: quiet, low-contrast work where people concentrate; colour and movement where they gather, eat and talk.
  • Fewer, larger pieces beat clutter: on an open-plan floor, a steady rhythm of large canvases reads better than dozens of small frames.
  • Use colour to say where you are: one composition painted in a different colourway on each floor turns the art into part of the wayfinding.
  • Approve one, then order the floor: hang a sample in the real light, then roll the series out with volume pricing from 10 pieces.

What should office wall art do for a workplace?

Office wall art should give a floor its own character, give tired eyes somewhere to rest away from the screen, and show what the company is like without a single slogan.

An office is mostly white walls, glass, carpet tiles and monitors. Without art, one floor looks like every other floor in the building, and the people who work there spend the day looking at a screen at arm's length. A painting across the room gives the eye a far point to settle on, which is the same habit eye-care advice recommends during long screen sessions: look up, look across, refocus.

Art also says something about the company to staff and to the candidates and visitors who walk through. Bold colour reads as confident and creative, restrained texture as calm and considered, a city skyline as rooted in a place. Choose subjects that most people can live with every day: abstracts, landscapes, cityscapes and nature are safe ground, while politics, religion and anything that needs explaining are best left out of shared space.

Which office wall art suits each zone of a working floor?

Quiet zones need calm, low-contrast work; collaborative and social zones can take colour, scale and movement.

ZoneWhat happens thereArt that suitsStart with
Focus desks and quiet roomsLong stretches of concentrated screen workSoft geometry, textured neutrals, open landscapesMinimalist, wabi-sabi, calming
Collaboration and project areasTeams standing, talking and sketching at whiteboardsConfident geometric abstracts with a clear shapeGeometric, abstract
Kitchen, café and breakoutBreaks, lunch, informal chatsThe boldest colour on the floor; playful subjectsColourful, uplifting
Corridors and lift lobbiesPassing through, finding the wayA series of related canvases that marks the floorTall verticals
Phone booths and small focus roomsCalls and short heads-down workOne small calm canvas, not behind the seatPeaceful

Reception and the client-facing meeting rooms have different jobs and their own pages: lobby and reception art for the first impression, and boardroom and conference room art for the rooms where clients sit down and the camera is on.

What kinds of office paintings are there?

Office paintings here come in four main kinds: geometric and colour-field abstracts, textured and minimalist neutrals, city skylines, and bright colourful work for social spaces.

Geometric and colour-field abstracts

Cut shapes, Bauhaus circles, faceted planes and broad blocks of colour in terracotta, cobalt, charcoal and cream. They have structure without a story, so they sit well beside the straight lines of desks and glazing and stay fresh after months on the same wall.

a large vertical abstract painting of overlapping faceted gray, white and taupe planes with fine drawn creases, a slim black bar at the top and a solid black wedge in the lower right corner, in smooth matte acrylic a large vertical minimalist abstract painting of stacked lime green, pale blue, navy and off-white blocks with thin scratched pencil lines running between them, in flat hand-painted acrylic a large square abstract painting of flat organic shapes, a dark teal cap and rust ribbon at left, a blue rectangle below, an orange block above a deep green slab at right, on blush and cream grounds in matte acrylic a large vertical abstract painting of ribbed geometric panels in beige, black, gray and navy that fold inward to a receding tunnel, built in sculpted relief with combed ridges catching the light
See all geometric abstracts for offices →

Textured, minimalist and wabi-sabi neutrals

Plaster ridges, palette-knife sweeps and quiet layered shapes in greige, olive, sand and black. These are the right choice for focus zones and for brands whose interiors are already busy with colour, because they add depth without adding noise.

a large vertical white plaster painting of a grid of roughly cut squares, each combed with fine horizontal ridges that run in alternating directions, on an off-white canvas in heavy sculpted relief a large vertical textured painting of diagonal sculpted plaster bands in white, warm taupe and black stepping down the canvas like a shoreline, combed with fine ridges in raised relief a large square abstract painting of fine ridged lines radiating from the center in cobalt and turquoise blue, flecked with gold and white and deepening to purple at the corners, in combed impasto a large vertical plaster relief painting of a grid of stippled white squares at the left and lower edges, with warm gray combed swirls rising through the right half in thick sculpted texture
See all textured and minimalist office art →

City skylines and urban scenes

Impressionist and palette-knife cityscapes: waterfront skylines in gray and teal, bridges, bird's-eye streets in red and orange. A skyline connects an office to its city or to the cities a company works with, and it is a natural theme for a corridor series. See all cityscape paintings.

a large panoramic impressionist canvas of a dense crowd under dark umbrellas filling the lower half, walking beneath red, blue and orange neon signs, with wet reflections below, in thick palette-knife acrylic a panoramic impressionist cityscape painting of black and gray skyscrapers with a glowing yellow, orange, and white cluster at center and blue and red accents, mirrored in gray water below, in thick palette-knife acrylic a panoramic impressionist cityscape canvas of a row of skyscrapers in orange, blue, brown, and yellow under a pale cream and blue sky, their colors streaked into the water below, in thick palette-knife acrylic a square impressionist canvas painting of a loose gray and white city skyline, its mid-section lit with orange and gold windows that streak down in long reflections on the dark water below, hand-painted in acrylic
See all cityscapes for offices →

Colourful canvases for breakout spaces

Rainbow petals, knife-painted animals, blooming cacti and bright still lifes. This is the work to put where people take a break, in the kitchen, café or games area, where a jolt of colour is welcome and nobody is trying to concentrate.

a large square palette-knife painting of flowering cacti standing upright at the center, green paddles topped with cream, red and yellow blooms above a mosaic of pink, blue and purple desert rocks, in ridged impasto a large vertical palette-knife painting of a long-haired cat's face looking straight out, built from thick red, turquoise, purple and white strokes with amber eyes and a coral nose, on a yellow ground a large vertical abstract painting made of hundreds of thick round paint dots in red, blue, green, yellow and white, packed tightly over the whole panel with a pale diagonal band through the middle, in heavy impasto a large vertical textured painting of hundreds of rounded petals in orange, coral, pink and white massed at the upper right, cooling to teal and steel blue at the base, in heavy sculpted impasto
See all colourful office art →

Abstract or landscape: which office art is easier to work beside?

Both work, provided the canvas is visually quiet; what distracts people in an office is fine busy detail and hard contrast, not the subject itself.

A loose abstract with a few large shapes and a limited palette is easy to work beside, and so is an open landscape with a low horizon and lots of sky. What tires the eye over a working day is dense pattern, tight stripes, many small competing elements and stark black-on-white. Those belong in a corridor or breakout space, where people pass them rather than sit facing them.

Many people find views of nature restful, and on floors with few windows a landscape can stand in for the view. Teams in creative work often prefer abstracts, which leave room for interpretation. A practical approach for a large office is to use landscapes and soft textures near desks and keep the strongest abstracts for walls people walk towards.

How big should office wall art be on a long wall?

On a long office wall, art should fill roughly half to three-quarters of the clear width you can see from the main viewing point, either as one large canvas or as a measured run of several.

Office walls are seen from further away than walls at home, often from the other side of a 15 m (50 ft) floor plate. A canvas that looks generous in a living room disappears there. Some working numbers:

  • Viewing distance: allow at least 1 m (40 in) of canvas width for every 4–5 m (13–16 ft) between the wall and the people who see it most.
  • Above desks and credenzas: leave 20–30 cm (8–12 in) between the top of the furniture or screen line and the bottom of the canvas.
  • On open walls and in corridors: centre the art about 150–155 cm (59–61 in) from the floor, slightly higher than at home because people see it standing and moving.
  • In a series: keep one centre line and one gap, around 40–60 cm (16–24 in), so the run reads as a single piece of architecture.

For very long walls, panoramic canvases or a pair painted as one composition across two canvases fill the space without a mural. Anything can be painted larger than shown; see oversized and custom-size art.

How do you plan office art across several floors?

Give each floor its own colourway of a shared theme, so the art makes the building feel like one company while telling people which floor they are on.

Wayfinding in an office tower is usually left to signs, but art can do much of the work. Choose one or two compositions, for example a skyline and a geometric abstract, and have them painted in a different palette per floor: terracotta on the third, sage on the fourth, cobalt on the fifth. The pieces are related but never repeated, the lift lobby on each floor announces itself, and staff start to say "the green floor" without being told.

The same idea works for a company with offices in several cities: keep the composition, change the colourway or the skyline. One of the colourways can be the brand palette, so the art supports the identity without carrying a logo. Corporate fit-out teams can read more on art for corporate headquarters and professional offices.

How is office wall art supplied for a fit-out or a move?

Agree the plan by zone and floor, approve a sample canvas in the real space, then order the rest in batches timed against the move-in date.

Each piece is painted to order: about 10 days of painting plus 5–7 days in transit. For a fit-out, that means art can be ordered once the wall finishes and lighting are known rather than months ahead, and a sample can be hung on site before the main order is placed. Every piece in the run is photographed at each stage, so a facilities or design team can approve a whole floor from progress photos without visiting a studio.

The minimum order is one piece, volume pricing starts at 10, and every enquiry is quoted within one business day. Procurement teams working to an FF&E schedule can start from art for FF&E procurement.

How do you get office art painted in your brand colours?

Send the brand palette as paint codes or colour references, plus photos of the floor as it is lit, and each canvas is adjusted to those colours before painting starts.

Any work on this page can be repainted in another colourway or redrawn to a new size and proportion, so a geometric abstract in orange and navy can come back in your brand's teal and charcoal, sized exactly to the wall. Progress photos or video arrive at each stage, and the next stage only begins after you approve; you approve a final photograph before dispatch. That review loop matters in offices, where the art will be seen beside branded signage every day.

Canvases ship rolled (the easiest way up a goods lift), stretched without a frame and ready to hang, or framed in black, white, wood, silver or gold. Black and natural wood frames suit most workplaces. Delivery is by DHL, FedEx or UPS express, or by air or sea freight for a whole-floor order, on the route iHomeArt suggests; the transit time depends on it. Request a quote with your floor plan or wall list, or see how custom sizes and colourways work.

Office wall art FAQs

Is art worth the budget in an office?

For most companies, yes. Office art changes how a floor feels to the people who spend their working day there, and to candidates and clients who visit. Compared with furniture or flooring it is a modest line in a fit-out budget, and good originals stay on the wall for years.

What art should you avoid in a workplace?

Avoid workplace art that divides or distracts: political or religious subjects, nudity, anything that needs explaining, and dense patterns or stripes near desks. Generic motivational slogans also tend to wear thin. Abstracts, landscapes, cityscapes and nature are the subjects most people are happy to see every day.

What colours of office art help people focus?

Muted blues, greens, greys and earthy neutrals are traditionally associated with calm and concentration, which is why they suit desk areas. Yellow, orange and red are associated with energy and conversation and work better in kitchens and breakout spaces. Lighting and how busy the canvas is matter as much as colour.

How is office wall art different from home office art?

Commercial office art is chosen for many people, larger walls and longer viewing distances, often as a series across a floor. Home office art is chosen for one person and one desk, and often for a video background. For the residential version, see home office wall art.

Should office art show our logo or brand?

Usually not literally. Office art carries a brand better through colour than through a logo: borrow two or three brand colours as the palette of an abstract or a skyline, and keep the logo for signage. The result feels like part of the identity without looking like advertising.

Can we lease or rent office art?

No. We don't lease or rent office art: every painting is sold outright as a hand-painted original your company keeps. You can order a single piece to start, volume pricing begins at 10 pieces, and every enquiry is quoted within one business day.

Are these office paintings originals?

Yes. Every office painting here is an original, hand-painted in acrylic on canvas when you order it; oil paint is available on request. No two are identical, even in a series, which is part of what makes a floor feel considered rather than furnished from a catalogue.

How long does office art take to be delivered?

Per piece, around 10 days to paint and 5–7 days in transit by DHL, FedEx or UPS express, with the shipping cost confirmed before each piece ships. For an office move, approve a sample first and schedule the rest against your move-in date.

Can office art be made to fit an exact wall?

Yes. Each office canvas is painted to order at the size you need, including very large and panoramic formats. The composition is redrawn to your proportions rather than stretched, so a design shown as a vertical can be painted wide for a long corridor or reception wall.

Trade enquiries

Planning a room around workspace & office art?

Send the reference codes, the wall sizes and a photo of the room on WhatsApp, or your own picture to be painted. We reply within one business day with a quote and a lead time.

Quote form Email us
Chat with us on WhatsApp