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Wabi-Sabi & Japandi Wall Art

Original wabi-sabi wall art, hand-painted in acrylic on canvas and made to order in your size. These are quiet paintings: weathered fields of clay, ash and rust, pebble and vessel shapes on scraped plaster, and ink-style birds, lotus leaves and bamboo set in wide empty grounds. Surfaces are matte, uneven and deliberately unfinished at the edges, which suits Japandi, Scandinavian and organic modern rooms, bedrooms, spas, guest rooms and meeting rooms. Below the works is a guide to recognising the style and fitting it to your wood, stone and light.

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61 works

a large vertical minimalist painting of overlapping flat greige and cream geometric planes with dark olive wedges in the upper left and lower right corners, in dry matte hand-painted acrylic

Overlapping greige and olive green geometric canvas painting

WA#052 20×24" – 60×80"

a large vertical minimalist painting of stacked cream and ivory loops and rounded vessel shapes filling the center of a deep brown ground, brushed on in flat brushed acrylic

Cream looping forms on dark brown minimalist wall art

WA#051 20×24" – 60×80"

a large vertical abstract painting of interlocking beige and cream plaster shapes raked with fine combed lines, wedged between solid black bands that run from the top edge to the base, in heavy textured paint

Interlocking beige and black plaster canvas painting

WA#050 20×24" – 60×80"

a large vertical abstract painting of broad beige and cream plaster shapes, their surfaces raked into fine horizontal combing, curving and locking against flat black fields, in built-up textured relief

Combed beige curved forms on black textured canvas wall art

WA#049 20×24" – 60×80"

a large vertical abstract painting of tall cream and taupe panels crossed by dark olive-black curved wedges that hook and taper down the middle of the canvas, in flat matte hand-painted color

Olive black wedge forms on cream panels acrylic painting

WA#048 20×24" – 60×80"

a large vertical minimalist painting of crisp cream geometric wedges and curves overlapping at the center of a distressed beige and taupe ground, with a combed band along the base, in dry matte paint

Cream geometric shapes on weathered taupe canvas painting

WA#096 20×24" – 60×80"

a large vertical minimalist painting of cream white magnolia blossoms in a round glass vase, drawn with fine etched outlines on a near-black ground, in thin scratched acrylic

Cream magnolia blossoms in a glass vase on black wall decor

WA#095 20×24" – 60×80"

a panoramic textured painting of a silver gray troweled plaster field with a rust orange block low on the left and a single red bloom on a thin black stem right of center, in heavy impasto

Single red bloom on a gray plaster canvas painting

WA#1144 36×18" – 100×50"

a square minimalist relief painting with a centered block of woven, stitched-looking plaster grid in cream and beige, raised threads casting small shadows on a plain cream border, in sculpted 3d texture

Woven plaster grid square in cream and beige wall painting

WA#036 24×24" – 72×72"

a large vertical abstract painting with a soft sage green block at the center, black smudges and small rust dots around it, and thin looping ink lines circling over a mottled cream and beige ground, in dry washed paint

Sage green patch and looping black ink canvas wall art

WA#1017 20×24" – 60×80"

a large vertical wabi-sabi painting of a mottled teal green field flecked with copper and gold, its top and bottom edges darkened and crumbling like old patina, built in heavy impasto and dry scraped layers

Mottled teal and green patina textured canvas painting

WA#1007 20×24" – 60×80"

a large square wabi-sabi painting of three rounded pebble forms, a white one at top left, a terracotta one below it and a dark gray one at right, on a beige ground cut by two fine dark lines, in thick plaster relief

Terracotta, white and gray pebble shape textured wall decor

WA#895 24×24" – 72×72"

a large vertical wabi-sabi painting of a broad beige lens-shaped stone form in the upper half and a rounded black bowl form below, thin white lines tracing between them on a chalky off-white ground, in dry scraped paint

Beige stone form above a black bowl shape wabi-sabi wall decor

WA#650 20×24" – 60×80"

a large vertical naive painting of four women in long cream dresses striding to the right with arms raised toward a small dark-clad child, set on a warm scumbled brown ground, in matte hand-brushed acrylic

Row of women in white reaching for a child canvas painting

WA#573 20×24" – 60×80"

a large vertical wabi-sabi painting of faint lotus leaves and small coral pink blossoms scattered on a chartreuse green pond, painted in soft blended thin acrylic

Faint lotus leaves on a chartreuse pond canvas wall art

WA#547 20×24" – 60×80"

a large vertical naive folk painting of a man in a blue suit, a woman in a pale mint dress and a small dark dog standing on a wide peach sand field, facing a red manor house under a teal sky, in flat matte paint

Couple with a dog before a red manor house naive canvas art

WA#476 20×24" – 60×80"

a large vertical wabi-sabi painting of a weathered blush pink and lilac gray field, with vertical gold leaf streaks down the center and scattered white dots, built up in thick textured plaster-like paint

Blush and lilac gold leaf abstract canvas wall art

WA#460 20×24" – 60×80"

a wide horizontal Japanese screen style painting of blossoming trees with dark twisting trunks and clusters of white and lavender flowers on a weathered gold leaf ground, willows drawn in fine ink at the left

Cherry blossom and willow gold leaf canvas wall decor

WA#120 24×20" – 80×60"

a large vertical wabi-sabi color field painting split into a pale gray block on the left and a teal block on the right, with thin gold lines running down the seam over a dark brown base, in layered matte acrylic

Teal, gray and gold drip line abstract canvas wall art

WA#162 20×24" – 60×80"

a large horizontal naive painting of a tan seaside cottage with a rust roof on a sandy rise, a tall slim tree and a bicycle at left, small figures and a wooden rowboat on pale lavender water, in matte acrylic

Naive seaside cottage and rowboat folk canvas wall art

WA#198 24×20" – 80×60"

a large vertical still life painting of a rounded terracotta jug in front of a tall olive green urn, pale palm fronds spreading behind them on a rust orange panel, with ochre and gold blocks, in matte acrylic

Terracotta jug and olive urn with palm fronds canvas wall art

WA#191 20×24" – 60×80"

a large vertical minimalist painting of soft overlapping shapes in cream, warm taupe and rust red beside a black wedge on the left, edges left soft and hand-brushed, in matte acrylic with fine white speckles

Cream, taupe and rust soft shape neutral canvas painting

WA#218 20×24" – 60×80"

a large vertical painting of a pastel striped hot air balloon with a dusty pink crown and a woven basket, drifting in a soft cream and pale blue cloudy sky, in lightly ridged impasto

Pastel striped hot air balloon in a cloudy sky painting

WA#237 20×24" – 60×80"

a large vertical wabi-sabi painting of a pale beige oval stone form set low against a mottled brown field and a black slope on the right, with a small rust-red sun dot at the upper left, in flat dry pigment

Pale stone form under a small rust sun canvas wall art

WA#247 20×24" – 60×80"

a large vertical painting of a cluster of white cotton bolls opening on slim gold-brown branches that rise up the center of a soft gray-brown ground, painted in blended acrylic with feathered edges

White cotton bolls on branches gray-brown canvas wall art

WA#244 20×24" – 60×80"

a large vertical abstract painting of a pale cream mist glowing at the center while dark brown and black shadow crowds the edges, worked in thick palette-knife impasto with a gritty scraped lower edge

Dark brown and cream misty glow textured canvas wall art

WA#243 20×24" – 60×80"

an oversized horizontal wabi-sabi painting of a weathered olive and taupe plaster field with a darker mottled brown band along the lower edge, in scraped and layered impasto

Misty taupe and olive weathered abstract canvas painting

WA#259 24×20" – 80×60"

a large vertical minimalist painting of a mottled sage green plaster field with soft white brush marks low in the center of the frame, worked in matte troweled impasto with a chalky surface

Mottled sage green and white textured wall art

WA#254 20×24" – 60×80"

a large vertical abstract painting of a pale cream glow rising through the center of the canvas while charcoal and near-black shadow gathers at the edges, in softly sanded textured paint

Charcoal to cream glowing center abstract canvas wall art

WA#253 20×24" – 60×80"

a large vertical textured painting of a dark charcoal brown grainy field with one diagonal streak of rust and pale cream light running from the top right down to the lower left, in dense impasto

Charcoal brown field with a rust light streak acrylic painting

WA#267 20×24" – 60×80"

a large vertical abstract painting of a blurred swirl of caramel, tan and cream light curving through the upper half, with a soft gray-blue shadow low on the left, worked in smooth blended acrylic

Caramel tan and cream soft swirl abstract acrylic painting

WA#277 20×24" – 60×80"

a large vertical wabi-sabi painting of a dark charcoal and moss green field, weathered like aged slate, with a torn band of gold leaf along the top edge, in dry scraped textured paint

Charcoal moss green and gold-edged weathered wall art

WA#276 20×24" – 60×80"

a large vertical textured painting of a terracotta and rust weathered plaster panel framed by a mottled dark brown and black border, built in cracked trowel-laid relief

Rust plaster panel inside a dark brown border wall art

WA#274 20×24" – 60×80"

a large vertical abstract painting of a mottled amber and ochre field darkening to brown and charcoal at the base, a small pale white cloud near the center, surface pitted like aged metal, in thin dry paint

Weathered amber and rust abstract wabi-sabi painting

WA#273 20×24" – 60×80"

a large vertical minimalist painting of two slim pale cream strokes, one long and curving at left and one short at center right, on a scratched dark chocolate brown field flecked with light marks, in hand-brushed acrylic

Two pale strokes on scratched dark brown canvas painting

WA#284 20×24" – 60×80"

a large vertical wabi-sabi painting of a heavily textured charcoal and black field, scraped and pitted like an old wall, with a rust brown weathered band down the right side, in heavy impasto

Charcoal gray and rust brown weathered canvas painting

WA#282 20×24" – 60×80"

a large vertical wabi-sabi painting of two dark gray sweeping strokes on a scraped off-white field, with a rust brown weathered band along the top edge, worked in thick palette-knife impasto

Weathered gray and rust wabi-sabi canvas wall art

WA#362 20×24" – 60×80"

a wide panoramic abstract painting of a soft ivory and greige cloud band drifting along the middle of the canvas, lit from within by pale gold, built in thick impasto ridges

Ivory cloud band with pale gold light acrylic painting

WA#369 36×18" – 100×50"

a large vertical abstract painting of a scraped mass of earth brown and near-black paint pressed over the upper right of a pale greige ground, with drips and combed marks, in dragged palette-knife acrylic

Scraped earth brown and black abstract canvas wall art

WA#368 20×24" – 60×80"

a large vertical color field painting of a single rust copper surface with sweeping trowel marks and a lighter amber glow near the center, in thick hand-troweled paint

Troweled rust copper color field wall painting

WA#428 20×24" – 60×80"

a large vertical wabi-sabi painting of a narrow stepped alley under a stone arch, with an ochre wall on the left, a terracotta wall in the center and gray-lilac steps, in thick textured acrylic

Stone arch over a stepped alley terracotta canvas art

WA#425 20×24" – 60×80"

a large square wabi-sabi painting of a circle built from rows of short white brick-like dashes at the center, sitting on a scumbled tan and brown ground with hints of green, in thick raised impasto

White dash circle on weathered tan textured wall decor

WA#030 24×24" – 72×72"

a set of two square wabi-sabi paintings, each holding a smoky black and olive ink cloud that spreads from the lower half over a stained beige and grey ground, in soft washed acrylic

Two-panel smoky black and olive ink canvas wall art

WA#076 20×20" – 72×72"

a large vertical wabi-sabi painting of a deep taupe brown field broken by pale scraped patches that drift down the center like torn paper, edges frayed and worn, in dry-brushed and knife-scraped acrylic

Taupe and chalk white weathered plaster canvas painting

WA#072 20×24" – 60×80"

a square wabi-sabi painting of a mountain peak mirrored in still dark water, in olive green, dusty rose and ochre under a charcoal gray sky, with a crackled sun-baked surface

Mountain peak mirrored in still water textured wall art

WA#070 24×24" – 72×72"

a tall vertical wabi-sabi painting of a pale gray weathered sky over bands of teal blue water, with white flecks near the horizon line, built up in troweled plaster-like impasto

Gray and teal blue plaster horizon canvas wall art

WA#1247 18×36" – 50×100"

a tall narrow vertical cityscape painting of a dense skyline drawn in fine black and rust ink lines, pale white towers rising behind the darker blocks on a natural beige linen ground, in thin hand-painted line work

Rust and black skyscraper skyline on linen canvas wall art

WA#1246 18×36" – 50×100"

a square wabi-sabi painting of a large withered lotus leaf at the upper left with two dry seed pods and a rust brown drooping leaf below, on a washed beige and gold ground, in textured mixed media

Withered lotus leaf and seed pods textured canvas wall art

WA#028 24×24" – 72×72"

Wabi-sabi art guide · Updated

How to choose wabi-sabi and Japandi wall art

Key takeaways

  • Look for the surface first: scraped plaster, dry brush, combed lines and soft, crumbling edges are what make a painting wabi-sabi.
  • Match earth to material: bone and sage with pale oak; rust, amber and charcoal with walnut; ash grey and olive with concrete or stone.
  • Leave the wall empty around it: one piece with generous space either side does more than a cluster of small ones.
  • Light it from the side: a lamp or window at an angle brings the texture to life; flat, frontal light makes it look plain.

What is wabi-sabi wall art?

Wabi-sabi wall art is painting that finds beauty in the worn, the uneven and the unfinished: earthy colour, matte texture, off-centre forms and plenty of empty space.

The term comes from a Japanese way of seeing. Wabi is usually explained as rustic simplicity and quiet contentment; sabi as the beauty that time leaves behind, such as patina, fading and wear. In the tradition of the tea ceremony, a hand-thrown bowl with a lopsided rim was prized above a perfect one. A wabi-sabi painting carries the same attitude onto canvas.

On the wall that means a surface you want to look at closely. Paint is troweled, scraped back and built up again, so it resembles an old plaster wall, weathered stone or stained paper. Colours are drawn from earth and ash rather than from a paint chart. A single form, a stone, a bowl, a bird on a branch, sits low or to one side, and the rest of the canvas is left to breathe.

How do you recognise wabi-sabi art up close and across a room?

Up close, wabi-sabi art shows its making: ridges, scrapes, cracks and dry, broken brush marks. From across a room it reads as one calm, softly toned shape with an irregular edge.

FeatureUp closeFrom across the room
Troweled or scraped plasterRidges, pits and fine cracks under the fingertipA soft, stony field that catches side light
Combed or raked linesParallel grooves pulled through wet pasteA gentle grain, like sand in a raked garden
Dry brush and ink washBristle tracks, bleeding edges, smoky bloomsA haze or a single dark gesture on pale ground
Torn gold or copper leafMetal flakes along a broken edgeA thin line of light, like a repaired crack
Distressed bordersEdges darkened, chipped or left rawA painting that seems old and settled, not new

The gold-leaf seams nod to kintsugi, the Japanese craft of mending broken ceramics with gold so the repair becomes part of the object's story. Gloss is avoided: a matte finish keeps attention on texture and stops reflections from breaking the calm.

Wabi-sabi, Japandi or minimalist: which wall art does your room need?

Choose wabi-sabi art for warmth and texture, Japandi art for clean lines with a natural palette, and minimalist art when you want the flattest, most graphic calm.

StyleSurfacePaletteCompositionBest for
Wabi-sabiRough, layered, visibly agedClay, rust, ash, moss, boneOff-centre, soft edgesRooms with lots of smooth, new surfaces that feel cold
JapandiLightly textured or flatOatmeal, sand, black ink, sageSimple lines and arcsLow furniture, pale oak, linen, paper lamps
MinimalistSmooth and evenWhite, black, one accentCrisp geometrySharp modern rooms, galleries, offices

In practice the three overlap, and many Japandi rooms use a wabi-sabi painting as their one rough note against smooth cabinetry. If your room is already full of reclaimed timber, linen and handmade pottery, a smoother piece from the contemporary minimalist range can balance it. If you want the relief to be the subject, with deeper ridges and sculpted forms, browse textured and plaster art.

What kinds of wabi-sabi paintings are there?

Wabi-sabi paintings here fall into three kinds: weathered colour fields, stone and vessel forms, and nature drawn in an ink-like hand.

Weathered colour fields

No subject at all, only surface: rust copper troweled in sweeps, charcoal pitted like old slate, a cream glow rising through dark brown, peeling layers of clay and pale blue. They hold a large wall in a lobby, a restaurant or a living room with great quiet authority.

a large vertical abstract painting with a soft sage green block at the center, black smudges and small rust dots around it, and thin looping ink lines circling over a mottled cream and beige ground, in dry washed paint a large vertical wabi-sabi painting of a weathered blush pink and lilac gray field, with vertical gold leaf streaks down the center and scattered white dots, built up in thick textured plaster-like paint a large vertical abstract painting of a pale cream mist glowing at the center while dark brown and black shadow crowds the edges, worked in thick palette-knife impasto with a gritty scraped lower edge an oversized horizontal wabi-sabi painting of a weathered olive and taupe plaster field with a darker mottled brown band along the lower edge, in scraped and layered impasto
See all weathered wabi-sabi colour fields →

Stones, vessels and quiet shapes

Pebble forms, a bowl beneath a stone, interlocking plaster shapes combed with fine lines, circles built from small dashes. Calm and balanced without being symmetrical, they suit studies, meeting rooms, guest rooms and spa corridors.

a large square wabi-sabi painting of three rounded pebble forms, a white one at top left, a terracotta one below it and a dark gray one at right, on a beige ground cut by two fine dark lines, in thick plaster relief a large vertical wabi-sabi color field painting split into a pale gray block on the left and a teal block on the right, with thin gold lines running down the seam over a dark brown base, in layered matte acrylic a large vertical minimalist painting of soft overlapping shapes in cream, warm taupe and rust red beside a black wedge on the left, edges left soft and hand-brushed, in matte acrylic with fine white speckles a large vertical minimalist painting of two slim pale cream strokes, one long and curving at left and one short at center right, on a scratched dark chocolate brown field flecked with light marks, in hand-brushed acrylic
See all wabi-sabi stone and vessel forms →

Birds, lotus, bamboo and still water

A small black bird on a bare branch, a flock crossing a cream sky, withered lotus leaves and seed pods, reed grasses in ink, a blurred fish in a sepia haze, a mountain mirrored in dark water. These bring a breath of nature to bedrooms and treatment rooms while keeping the restraint of the style. See also botanical paintings.

a large vertical wabi-sabi painting of faint lotus leaves and small coral pink blossoms scattered on a chartreuse green pond, painted in soft blended thin acrylic a large vertical wabi-sabi painting of a pale beige oval stone form set low against a mottled brown field and a black slope on the right, with a small rust-red sun dot at the upper left, in flat dry pigment a large vertical painting of a cluster of white cotton bolls opening on slim gold-brown branches that rise up the center of a soft gray-brown ground, painted in blended acrylic with feathered edges a wide panoramic abstract painting of a soft ivory and greige cloud band drifting along the middle of the canvas, lit from within by pale gold, built in thick impasto ridges
See all wabi-sabi nature paintings →

Which colours of wabi-sabi wall art suit wood, stone and linen?

Pick the painting's earth tone from the biggest natural material in the room: pale tones for light timber, darker rust and charcoal for walnut, and grey-greens for stone and concrete.

Pale oak, ash and birch

Bone, cream and sage keep a light Japandi room soft and airy. A single dark accent, an ink stroke or a black bowl shape, stops it from fading away. Cream and beige wabi-sabi art.

Walnut, smoked oak and leather

Rust, amber, umber and charcoal match the depth of dark wood and glow warmly in lamplight. Rust, brown and charcoal pieces.

Concrete, limestone and slate

Ash grey, olive and moss echo mineral surfaces and soften their chill with visible texture. Grey and green wabi-sabi art.

Terracotta, brass and blush plaster

Clay, faded pink and a seam of gold leaf suit Mediterranean-leaning rooms and warm limewashed walls. Blush and gold pieces.

Keep the rest of the palette as close to the painting as you can. Wabi-sabi rooms read best when colour changes by small steps, so the texture, not contrast, does the work.

Where should wabi-sabi art hang, and how big should it be?

Hang one wabi-sabi piece where the room is meant to slow down, size it generously but leave clear wall on every side, and light it from an angle.

Good places are over a low bed or platform sofa, at the end of a corridor, behind a dining bench, in a reading corner, a spa treatment room or a meeting room where people need to think. Wabi-sabi art for bedrooms and living rooms; for spas and guest rooms; for meeting rooms and studies.

Japandi furniture sits low, so drop the painting with it: with a platform bed or floor seating, the centre of the canvas can come down to around 135–140 cm (53–55 in) from the floor, and the gap above the furniture can be a little tighter than usual. Let the canvas cover about half to two-thirds of the furniture's width and resist adding companions; the empty wall around it is part of the composition. An off-centre placement, with a lamp or vase balancing the other side, suits the style better than strict symmetry.

Texture needs side light. A window to one side, a wall washer or a picture light angled down across the surface will pull out every ridge; flat light from straight in front will make the same painting look almost smooth.

How is a made-to-order wabi-sabi painting approved?

You approve a wabi-sabi painting the same way you would choose a stone or a plaster sample: by seeing photographs of the real surface at each stage, with the palette set to your materials before painting begins.

Imperfection cannot be written into a specification, so the process is visual. Send photos of your timber, stone, plaster or fabric, or the paint codes on the walls, and the earth tones are adjusted to sit with them. You then receive progress photos or video, ideally taken with side light so the texture is visible, and the next stage starts only after you approve. A final photograph is approved before dispatch. Because each surface is worked by hand, two paintings from the same reference will never match crack for crack, which is the point of the style.

Natural wood frames and frameless stretched canvases suit wabi-sabi best, though black, white, gold and silver are also available. Pieces ship rolled, stretched ready to hang, or framed. For a series across a spa or a floor of guest rooms, see art for spas and wellness centres or request a quote.

Wabi-sabi wall art FAQs

What does wabi-sabi mean in art?

In art, wabi-sabi describes work that values simplicity, age and imperfection. Wabi points to rustic, quiet simplicity; sabi to the beauty of patina and wear. A wabi-sabi painting shows this through earthy colour, rough or weathered texture, uneven edges and a lot of empty space, rather than through polish or detail.

What colours are used in wabi-sabi art?

Wabi-sabi art uses muted, earthy colours: bone and cream, clay and rust, taupe, ash grey, charcoal, moss and olive, sometimes with faded blush or indigo. Accents are small and softened, such as a thin seam of gold leaf. The colours are low in contrast, so a wabi-sabi painting feels calm from across a room.

Is Japandi wall art the same as wabi-sabi art?

Not quite. Japandi wall art blends Japanese restraint with Scandinavian simplicity, so it tends toward clean lines and light, neutral palettes. Wabi-sabi art is rougher and more textured, with visible ageing and imperfection. They share a natural palette and a love of empty space, which is why a wabi-sabi piece often anchors a Japandi room.

Does wabi-sabi wall art have to be abstract?

No. Many wabi-sabi paintings are abstract colour fields, but the style also includes simple subjects: a bird on a bare branch, a withered lotus leaf, bamboo in ink, a stone form or still water. What makes them wabi-sabi is the restraint, the muted palette and the weathered surface, not the absence of a subject.

What frame suits wabi-sabi wall art?

A plain natural wood frame or no frame at all suits wabi-sabi wall art best. Light oak or ash flatters pale pieces; darker wood suits rust and charcoal. A frameless stretched canvas keeps the rough edge visible, which suits the style. Avoid ornate or glossy frames, which work against its quiet character.

Will wabi-sabi art look unfinished in a modern home?

It looks intentional when the room around it is calm. In a sleek modern home, a wabi-sabi painting adds the warmth and texture that smooth surfaces lack. Give it space, a matte setting and side light, and keep nearby colours close to its palette, so its weathered surface reads as a choice.

Can a wabi-sabi painting be matched to my plaster or timber?

Yes. Send photographs of the plaster, timber, stone or fabric in daylight, or the paint codes on your walls, and the wabi-sabi palette is adjusted before painting starts. You approve the surface and colour from progress photos at each stage, and nothing continues until you are happy with it.

Are wabi-sabi paintings hand-made, so each one is different?

Yes. Every wabi-sabi painting is hand-painted in acrylic on canvas for its order, with oil paint on request. Plaster, scraping and dry brush can never be repeated exactly, so each canvas has its own cracks and marks. For a series, pieces are made to read as related rather than identical.

How long does a wabi-sabi painting take to arrive?

Roughly 10 days to paint and 5–7 days in transit by DHL, FedEx or UPS. Shipping to any country is arranged by iHomeArt on the best route, and its cost is confirmed before the piece leaves. Your wabi-sabi painting can arrive rolled, stretched ready to hang, or framed.

Do you supply wabi-sabi art for hotels, spas and offices?

Yes. Wabi-sabi art is a natural fit for spas, guest rooms, meeting rooms and calm restaurants. You can order a single piece, volume pricing starts at 10 pieces, and every enquiry is quoted within one business day. A series can share one earthy palette across a whole floor, each piece approved before it ships.

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