Hand-painted art inventory for art leasing companies to own outright

Every rotation is a de-install and an install. When the stock shares a few sizes, hooks stay put, crates swap and the van packs the same way every run. Each canvas is painted to order, so the inventory can be built on sizes you choose, such as:

The top three tiers share one 3:2 proportion, so a design that rents well at 91 × 61 cm can come back at 122 × 81 cm looking the same, only bigger. Fix orientation per tier too: if meeting-room hooks are set for horizontal pieces, order them all horizontal; a vertical favourite can be redrawn as a horizontal through the Resize route.

Frame the tiers that move most. A frame takes the knocks in vans and stairwells that would otherwise land on the canvas edge, and one house frame across a tier makes the stock read as a collection. We frame in black, white, wood, gold or silver, boxed with hooks.

Or roll canvases into your own frames. Rolled is the cheapest finish to ship and the quickest to arrive; your framer stretches it into your house moulding and fits the hardware your installers already carry.

Match texture to the contract. Thick knife-laid paint and plaster relief suffer first when pieces are stacked and carried. They ship stretched or framed rather than rolled, and belong on a boardroom wall for a year rather than in a van every quarter. A textured design that rents well can be painted thinner so it rolls and handles more easily, agreed before painting.

Acrylic suits a moving stock. Our standard medium dries to a flexible film, which suits canvases that are wrapped and rehung often; oil is painted on request. Rack canvases upright, card between them, rather than stacking them flat.

An office with twenty hanging positions wants the floor to look considered, not like twenty unrelated pictures. The Vary route paints a family from one catalogue work, the same hand and palette in different compositions or colourways, so a run of meeting rooms reads as one scheme.

For a leasing company the set is also the unit of rotation: one stock line, one consignment, and when a floor's three months are up the whole floor changes to another set. Two sets in contrasting palettes, cool grey and ink against warm ochre and sage, let one account alternate through a year-long contract without a repeat. Browse geometric and abstract works for families that sit easily in offices, and Wabi-Sabi for quieter floors.

We price every order individually, usually within one business day. Four choices move the price, each with a rental logic:

• Size. Price follows canvas area. Most rentals happen in the standard tier, so keep hero sizes for designs customers ask for by name.
• Surface. Heavy texture takes more paint and drying time and ships in bigger boxes; put it where contracts are long.
• Finish. Rolled costs least to buy and ship; framed costs most but goes straight into the van. Rolled volume tiers plus framed hero pieces is a sensible balance.
• Quantity. Volume pricing starts at 10 pieces per order, so a season's stock ordered together prices better than canvases ordered one at a time.

Shipping is quoted separately: we find the best carrier route to your warehouse and confirm the cost before anything leaves.

Your rental history is your best buying guide: re-order first the codes that go out most. A code that rents in grey may rent again in an account's teal through the Recolour route, and a meeting-room favourite can come back larger for a reception through Resize.

The same re-order fills the gaps: a piece marked in a move, lost at a site, or bought by a customer at the end of a contract. The new canvas is painted by hand from the same composition, so its brushwork differs slightly from the first.

Master works by senior partnered artists are the one exception to resizing and recolouring: kept exactly as painted and quoted individually, they suit the top of a collection rather than the volume tiers.

A rental collection goes stale from the inside: the popular pieces are always out, and the racks fill with the rest. A seasonal tranche of roughly a third new codes, a third re-orders and a third recolours keeps the pool fresh without retiring stock that still earns; let your bookings set the mix.

Work back from the season's first installs and send the brief as bookings come in; the quote states the delivery date. Browse by colour for the season's palette, from green and blue to terracotta and gold, and by mood, from uplifting for spring to cozy and warm for winter; florals are the easiest seasonal swap for homes.

A subscription service sends a piece to a home, swaps it after a month or a season and sends it on. Sizes come down to what one person can carry and hang alone, mostly the small and standard tiers, framed so the piece goes straight up on its hooks and its edges survive the courier. Subjects spread wider than office stock: florals, landscapes, colourful abstracts and the odd animal.

Since no two members compare walls, a popular design can be painted several times as separate originals, so members do not queue for the favourite. Browse living room, bedroom and home office art, and if you also sell from a shop, see galleries and framers.